Haile Wright calls the “rust” tragedy the waking tragedy that Hollywood needs

A trick and actress Hayley Wright The profession of jumping was built from the high risk that was appointed to another.

With the credits in “Aquaman”, “Birds of Prey”, “Wonder Woman”, “American Horror Story” and “FreKy Fride” Reboot, Hayley Wright has photographed an area as one of the most diverse wives in this field.

In a conversation with Anna Osborne, digital public relations are offered in casinoHaley Wright has opened around the physical demands of the action of the trick, and how it is mentally preparing for the dangerous scenes, and what fans ignore her profession.

“Every super film is really its own world. It can be overwhelming but very exciting to enter these worlds,” she said. “Wonder Woman” was one of the first big films in my career. I have entered this experience very grateful, but also with a certain naivety; I had no idea what could be expected or how large these products are. It is really special to be part of (A) that inspires many people. “

Julia Potters and Culvi Feneman recently doubled in “Ferakier Frdy” in Disney.

“When I received the call, I was like, my God, this is wonderful,” Wright recalls. “As a trick, you can reach a point where the title or the specific movie is what it is, but there is definitely some films that are very exciting to be part of it, it’s” Wow, I must be part of something I like it. “

Although she is eager not to spoil too much, Wright has disturbed one of the scene that the audience should look forward to.

She said: “Just watch the scene where Julia is on one of these electric motorcycles. It is very funny. I enjoyed a lot on the day you are implemented.”

When it comes to staying ready for difficult roles, Wright keeps a strict balance between training and recovery.

“I train from five to six days a week,” she said.

It is also attributed to meditation by helping to prepare mentally.

“I started contemplating five years ago … 20 minutes in the morning and 20 minutes at night,” Share. “Frankly, this was a changing for me because it really helps me take advantage of stillness and presence, which is really important for exciting works. With pressure and energy on the group, it is important to be present and focus.”

Moreover, she relies on tools from her life coach, Jesse Corel.

“He gave me tools on how to change the perspective and deal with some ideas and doubts that may appear,” Wright participated. “Earlier, I only relied on adrenaline and only trust that I knew what I was doing, but now I have more than a quiet approach.”

Wright pointed out that the trick often faces unique challenges that the audience does not realize.

“Sometimes fashion is very restricted and uncomfortable, and you are expected to do everything you do in rehearsal clothes, but in these crazy costumes, she explained. “The most difficult thing is to accelerate and wait. You will be in a position throughout the day, then at the end of the day, it is expected to move from 0 to 120 %. It might be very difficult.”

While she is proud of her work, she admitted that compensation does not always reflect the risks.

“We are very grateful because we are receiving our salaries to do what we love, but I think there is still room for growth in how to compensate for exciting, especially for multiple beating,” said Wright. “Sometimes a dual trick is used as much as the actor is used, and you cannot compare what we get compared to actors.”

After the tragic “rust” shooting, Wright said that the products have significantly tightened safety protocols.

“I think most products are now using Airsoft and Rubber Replicas, associated with adding digital muzzle flashes in the post, so they look real enough but take this danger.” “This is definitely more common now, which I think is necessary.”

She emphasized that the clear communication between coordinators, performance artists and safety supervisors is necessary.

“It is important to have enough time to properly train each trick,” Wright pointed out. “This is huge. Communication is the key, to have an attractive and safe space to express any concerns.”