Follow the box office that ended the profession of Francis Ford Coppola (but it is really great)

“One of the Heart” of 1982 opens from Francis Ford Coppola with a contraceptive pill on a black screen. Screaming, anger, hopes and casino lamentation are not heard. It is just a dreaded ball through this spinning wheel, bold bets to choose a number and color. When the rotation slows down, the pill you find an opening, the red light logo of the Zoetrope studios cuts the darkness of the theater.

Coppola’s bet? Everything. Everyone pushed in the huge dream in a film studio to be controlled by the artist who is in the heart of Hollywood. Everyone who bought a ticket to watch the movie on the opening day knows The most famous director in the 1970s He risked everything to revolutionize the exclusion industry. He wanted every craftsman to rise from every doctrine/color/category as much as their talent, to know that people who have money are more interested in art than work. The democratic character wanted to democracy the most influential means in the twentieth century because the more people who suffer from different backgrounds associated with their human colleagues, the more we understand each other. He wanted Utopia.

Everyone occupied a seat in those populated theaters 42 years ago knew that he had already gone.

“One of the Heart” was a failure. Critics mocked the production of $ 26 million as a cold heart technician. Why did the director who helped save Hollywood made an old school excesses what was essentially a kind of full musical audience that he rejected more than a decade? The pioneers of the cinema caught the mail aroma and the rest of the hell away.

A “one of the heart” was quickly pulled from theaters after publishing a total amount of $ 636,796 in the United States. Coppola’s dream was intermittent. He was betting on the red color and spent the next two decades taking the chants to cover them to harness them to black. He found the sheet in the field of wine, but this lion once for a cinematic director lost his roar. This is a tragedy because “one of the heart” was nothing but a victory, as many discovered when they suffered from the beauty of sui generis in theaters by release of a prepared outlet in January 2024.

“Exit cut” may be the wrong term. Coppola has already reduced the movie to release it in the early 2000s DVDAnd he gave up about six minutes of this version. This new repetition entitled “One of the Heart: Repief”. If you are a fan of the movie, that will be the same film in the first place for somewhat important change, I am still thinking.

Before I go into weeds, allow me to assure the new arrivals that “one of the heart: Reprise” works wonderfully on its own. It is still the story of Woozy for Las Vegas lovers whose dreams have spread. Friedrich Forest Hank is a mechanic on the basis that he wants to put roots in City City, who receives the Terry Gar travel agent, who is eager to see the world (specifically Bora Bora). Hank believes that they can build a small paradise of their own in the modest house consisting of two floors that they share; Ferrani looks at him as a home to turn on the way to find your story. When they cannot reconcile their global views during the anniversary dinner (at home, against the desires of Freani), they hit Vigas’s tape in search of someone getting it.

The conflict is shy. Ferni washed away from her feet by a hall singer (Raul Julia, who gets a large entrance at all on an equal footing with Omar Sharif, comes out of Mirage in “Lawrence of Arabia”), while Hank goes to Jaga to perform a beautiful, blind circus (Nastasja Kenki). We have seen this movie, and Coppola knows it. The difference is aesthetic.

Coppola expects the pre -budget filmmaking future through its “electronic cinema” concept, which was allowed to draw the film that was filmed via a video painting cut in the video. This allowed him to visually sophisticated, as Forest could have played moments to side, in some way, against a semi -transparent argument. It is the idea of ​​Brechtian, which clearly draws attention to the film industry collection, but the rear musician We are industrial. Everything created by artists, including documentaries, uses a degree of light hand. Coppola tends to this deep and directs us to the exciting records of his characters.

Because unless you make “Umberto D”, the Photos is for breakthroughs.

Those zeros are not evil, but they offer no followers with the symbol of artistic fraud; At some point during the next century, Joe Rousseau’s dream will become that men are able to inhibit Marilyn Monroe in the living room.. You will feel close to reality, which means that it will be cheap and shameful. The hand-made scene for “One from the Heart”, where talented artists sing and dance according to the capabilities of their characters-the serious Forrest, who wanders in “You Are My Sunshine”-in films of large budget production value that was impossible future. However, I will take it on the one that revolves around the “Jurassic Park”.

But this dream is very dead.

“One of the Heart” has stopped a better opportunity with the main cinema pioneers, Julia and Kinski appeared earlier in the movie. Coppola deals with this issue in “Reprise”, but although its instincts exist, there is a lot that he can do with the available shots.

The jumping is made forward in the movie. They faced their ports before the anniversary dinner tin, which stimulates the narration. But this also emphasizes the defect of the basic text program: Hank and Frani are not more than the original models. Dean Tavoulaaris’s production design was unusually for a reverse music, but Forrest and Garr do not really feel at home in the space it created. My feeling is that they need more rehearsal time (and perhaps polishing a dialogue) to intentionally reside this world. But you are not excused by these faults because my God, this is a beautiful movie.

Vittorio storao-full of neon by Vigas, Vinlente Minnelli had knocked on Nicholas Rai in the sugar coma-which means “one of the heart”, in the formulation of Jean-Luc Godard, cinema. Tom Wintz transmits Vigas’s music around the clock. The city is emitted if you spend two days there, but there is a lie of 24-7. Then again, as well as life, everywhere, all the time. Hank and Farani just want to sculpt the fragments of happiness here and there. The house may make a trick. Maybe not. But you wander only once, what is the damage in a dream?

He sold Coppolas his generosity to dream, he might dream of his final dream. I don’t care if “Megalopolis”, an epic of $ 100 million, funded personally, is not “the end of the world now.” I am interested in putting the maestro heavier than bets to see if this pill may find the right opening the last time.