Facilities is to follow the unexpected horror of science fiction stones for the year 2013

This article contains the main spoilers of “Rafik”.

Warner bros. The first wonderful conversation movie for 2025 with “Companion”. It was directed by Drew Hancock and the production of the same patients who brought us “barbarian”, the story of a woman who realizes that she is actually a robot that was built for service not only very fun, but the viewers leave a lot to think about it. It also works as an unexpected accompanying piece (unimaginable) Spike Jonze’s 2013 Sci-Fi Gem. While the latter retains at least some optimism regarding our technology future, the first is not concerned with such desired concepts. It is amazing how much it can change within a decade.

Hancock is held during the weekend with Josh (Jack Quid), which brought his Robot Iris (Sophie thatshr) to get to know better with his friends. Things turn into blood when Iris Haywire goes. When informed as a robot, her will to live leads to more chaos. “Rafik”, which is called /Chris Evanjelista, “the first wonderful movie of 2025,” It provides a pessimistic point of view for the future, especially with regard to the relationship of humanity to technology.

Josh, a white man if ever, takes an iris as a Muslim. Use it. His secular frustration comes out in a mental abusive way. He treats her as something, although she is somewhat alive. In the sophisticated future quickly and promised us by the intrusive intelligence, does the robots that offer all of companionship look out? More than that, can humans be trusted with this technology?

The film shows that these robots only launch the worst humanity instincts. They are linked to the lower floors. It is used for targeted practice. It is a few comments on the ugliness of humanity. It also indicates that technology will be used to replace real human communication in the non -distant future. This is an inevitable feeling. It is one of the science fiction films that you feel very close to the reality we are keen on not thinking about it in a useful way.

“Her”, which gets the Oscar -winning Jonze movie, comes back in the near future and follows TheoBly (Joaquin Phoenix), a sweet and calm man, recently. It becomes fascinated by Apple’s new advanced computer operating system on steroids. Soon he gets acquainted with the “SCARLETTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTOSONSON, a noticeable person although it is just a sound in his computer. Ultimately, the two have given an unlikely romantic relationship, filled with many of the same joys and issues that Bisran will obtain. It is also, of course, carries with it some unique challenges.

Jonze can not be different from “Rafik”. Unlike “Rafik”, it is not a horror movie. At the same time, both films participate with the same concept for the future where human companionship and impoverished organization, to some extent, are an acceptable rule. Jonze’s point of view is that these relationships, like any relationship, come with good and bad. Theodor is not free from issues, but it is not a red mark walking like Josh in “Rafik”. This may be the biggest difference. Theodor is a man who is able to deal with the relationship, even if he is with the computer, with respect. Josh is not.

/ /The original review of the film called her “a warm and thoughtful vision of love in the future.” Jonze suggests that these AI’s ways can have a place, but it should not be an alternative to actual human interaction. Certainly it should not be treated like S *** just because it is not “real” in the traditional sense. It takes more neutral, on the borders with the vision of hope for what the near future in the era of technology can not seem. We cannot stop.

In the years that followed the release of this film, we passed an epidemic, a rebellion in the Capitol in the United States, the introduction of the tools of obstetric intelligence to the general public, and more division in society. In this way, her “her” looks like a possible vision for the future that we have abandoned since then.

The male is not clear here, but “Rafik” and “are” very different films. However, they feel that they are making an ideal double advantage, as humans offer us glimpses in the future, shape, or shape, on our way. We cannot stop artificial intelligence. We cannot stop the idea of ​​artificial intelligence comrades. What we can do is to decide how we want to deal with what will happen. Maybe that It will not be a nightmare like James Cameron. But he began to feel that he might become the dice.

These films agree that robot partners are inevitable. After a decade and a change, Jonze believed that there is a positive version (ISH) of what might seem. In 2025, Hancock suggests that the majority of humanity is ugly and cannot be trusted with this technology, but it will come in any case, so things will become strange – and perhaps bloody. This way, “Rafik” appears to be a cousin relative for “M3Gan” by Gerard Johnston. It is sad to say, through modern eyes, “her” is like stupid hope. Maybe this is just me.

Either way, these two villas feel as if they are in a conversation with each other – an important conversation in it. More than that, it is a reminder that the type of filmmaking is invaluable for the law of cinema. Horror and science fiction more than just cheap excitement. Here we hope that Hancock’s vision is more warning than being an indication of what will come.

“Rafik” in theaters now.