Entertaining a tone kills Hollywood, and Star Trek proves that

by Joshua Tyler
| Published 3 seconds ago

Modern entertainment has only two tones. There are more differences, but we now live in a two -colored entertainment world.

If you want to prove, do not look further than the third season of Star Trek: strange new worlds. These were the first four episodes of the season …

• Episode 1: A darker and more modern version than Star TrekNext generation “The best in the worlds.
• Episode 2: Wonderful version and a camp of the original Star Trek series “The Squire of Gothos”.
• Episode 3: A dark, dark and stimulating coma story.
• Episode 4: A copy of a color from Star Trek: The next generation Dixon Hill Holudic episodes.

You will likely read these descriptions and assume that the lack of creativity is the problem, as all four episodes are mainly strengthened for the ideas we have already seen on Star Trek or in other things. This is a problemBut there is a larger one: tone.

Every week, the width turns violently between one of two extremist tones: either century Children eat people from the inside out, or there is a musical number on the bridge. There is nothing between them.

Worse is that a tone does not fit Star Trek, which was a dangerous and thoughtful show with some light moments. It was this way Every week. It was not one week’s horror and PubPet SNL A satirical simulation for itself (something that already comes in the fourth season).

He used to be this middle land, and in this middle term it was that all stories were listed. They were told this way because the most dangerous middle tone, but light is something that your audience can contact. The atmosphere is the real life.

Klingon Boy does not have the vitality of real life. They are just glasses. The same applies to the Zombians, the illusions of the strange wedding, and everything Star Trek: strange new worlds It is to do it, at which of both sides of the childhood spectrum you work.

Star Trek is not the only feature that contains this problem. He was killing marvelAlso, which has become so lost in lightness that people stopped or burying them instead in courageous stories of gangsters that no one is interested in.

For this reason the Fantastic Four He was receiving great positive attention, whether people realized it or not. Tony, it is serious in this middle land, but not dangerous. He withdraws this as it is connected in the fifties of the last century, and it is a complete achievement. This could have been easily in the high school drama club, salute to John Watermes, but he never did so.

If you are wondering about the reason for this, it is quite clear: it is easier to write two -dimensional cartoons of stories that are connected to people at a deeper level. Hollywood has a problem in writing a serious talent.

When your book is a penetration, they cannot do the splendid differences. Instead, they leave the paper about their lack of creativity by pushing existing stories to wild extremism. You are clearly tearing a PG TV episode like “Best Worlds” when there is spraying all over the room.

Without good writing, you end up in the world of entertainment with a tone. Until Hollywood returns to employ the book on the basis of merit, nothing will change.

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