Drop lovers will love this excitement that was promoted on the main video

The only thing that is most tired of tension before one of the special occasion is to intensify an external party until the wave of anxiety is ten times at the threat of death. In the wonderful movie Krsop Landon, “DROP”, which /Ryan Scott was from the movie, Ryan Scott, on a meager and harsh journey in his reviewMegan Fahi plays the role of a single mother who finds herself on the first date of hell when she begins to receive a series of threatening air messages. If the specific instructions of the mysterious personality are not followed to kill her history, her son will die, as well as anyone trying to warn him in this process.

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Landon jumps from the jump from the horror comedy to highly tense excitement here, creating a sense of joy with the madness of bone where our main personality wrestles with the terrible dilemma in which she found herself. You will see many people who compare “DROP” Wes Crafin “Red Ain”, They are not wrong. The last movie is a fun game, if it is a simple cat and mouse game in which Rachel McAdams is threatened by Cillian Murphy during a red eye trip as part of a larger (and deadly) plot. For me, I would like to turn your attention to the movie “2013” that controls a similar movie – you are likely you haven’t heard of it but deserves more eyes on it.

In the movie “Grand Piano”, Elia Wood Tom Silznik, the pianist, plays the concert that was full of anxiety because it is scheduled to return for a long time to the stage. More than five years ago, Tom suffocated (The Protege of Composer Patrick Godaorex, which Jacques Taylor played) while trying to end the last few notes of his complex teacher composition, “La Cinquette”. But the entire Chicago Hall came out to see Tom honoring his teacher, who now died with the musical return in the century.

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If the weight of the expectations is not heavy enough, then the big Tom night becomes more burden when he realizes that it is targeted by a sniper (John Kozak) can see every step for him. If he plays a single wrong note and “La Cinquette” is not complete to perfection, he will not die only, but his wife will kill actress Emma (Kerry Bish), who is seen from a square seat above. Needless to say, this makes Tom develop a more intense state of fear of theater.

“Isn’t it surprising what you can get rid of in a crowded theater when all eyes are on the stage?” Kusak’s non -embodied opponent asks.

Wood is the perfect representative to dump the orchestra meat mill. It is a flexible performer who can play anything from The broad hobbite that passes through the middle land in “The Sayyids of the Rings” To a serial killer in “Sin City”, but his sensitivity makes a quiet performance in the “Great Piano” who plays in his strengths. It is great to look terrified by the invisible lights. We see that Tom is a kind -hearted person on the edge of the abyss before discovering the red sign that changes the course of his night. It makes the awe more just clear when we start seeing the signs of an evil party much more about to happen.

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The ear piece provides hearing correspondence with the Kusak murderer to a large extent, who wants Tom to focus but presents himself as a cat who cannot resist play with his food. Speaking to the pianist anxious with the confidence of someone who believes this can decrease everything smoother than it seems. Cusack has an explosion that plays with the master of the dollWaiting for the chances of attracting Tom chains to see if they are going to do.

The central player in the symphony conflict is the composer Victor Reyes, who confirms his heartfelt degrees on the audio tension that resonates through the numerous verbal sparring sessions in Wood and Cusack. It even works without a physical threat, as it manifests itself in an internal battle you can see Tom Shun with himself. The highest levels of concerto and the minimum music at the same time reflect the hooks of his fans, wife and the orchestra team, and most importantly, his legacy.

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It seems that we have moved away from excitement, the high concept Take advantage of one location. “Grand Piano” is an excellent example of it correctly. The film was elegantly directed by the composer who turned to director Eugenio Mira, who wanders in a large amount of suspense from the Chicago Hall as the final stage of terrorism. It is a shame that Mira has not made a feature film since that; It brings a real tendency to the old school to the table, allowing the film to flourish in his marriage to visual and auditory excitement.

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“Grand Piano” has the souls of Alfred Hitchcock and Brian de Palma, because the camera has the same amount of fun with the piano player like the killer. I excessively included the match that brilliantly cut someone getting a slit with a glass of glass against the bow against the violin chains. Between sweat and shed eyes, the camera enjoys capturing psychological hardship on every inch of the face of wood. The threat waving on the horizon emerges from death by the infernal red background.

One of the most striking talents associated with the film is “La La Land” and “Babylon”, director Damian ChazelWho wrote the script. There are points where adversity works to play a flawless concert like the dry round of the musical density condition that you will inevitably bring to “Whiplash”. Charliz Looking His visit to the “Great Piano” group An invaluable experience as a crowded narrator, and seeing how the camera movements were in harmony with the prior layers of the music itself.

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Everyone in all, “Grand Piano” is the right time that is not lost second, pushes you to chaos, and in 90 minutes, its welcome does not exceed.

“Grand Piano” is currently on the Prime Video.