Directors who made Obenheimer before Christopher Nolan

It is difficult to imagine anyone other than Christopher Nolan turning a three -hour biography around the inventor of the nuclear bomb into good faith films. In the movie rated by the scene and the bomb, with a trilogy of the superhero films that define the age and a series of original films that are It was classified among the best films of the twenty -first century, Nolan brought an individual focus to the project that a few other directors can match with unique and personal touches that reflect his magic as a director.

In particular, it is his shooting into the shooting with practical effects, and the frequency of the deadly deadly bomb column is not with CGI but with representative methods such as miniatures, changing tire rates, and practical explosions to convert a huge explosion to try to something in the world really. Along with the text program Breaking the cloths of traditional vitalityExcellent mixture of color and White and white photography IMAX photographyAnd the confidence in filming an epic movie for 3 hours in less than 60 days, about this warning story for scientists who pay The edge of bleeding from technology is very far away At the event event.

But before Nolan worked to rebuild the Los Alamos research laboratory in the New Mexico desert, there were very different managers in running to bring the story of Obenheimer to life: Sam Mendes and Oliver Stone.

After 1999 “American Beauty” and 2002 “Road To Perdition”, director Sam Mendes made a war movie about not going to war. Starring Jake Gillinhall, the film follows a group of naval infantry scattered in the Persian Gulf War. The film rejects indulgence in any action scene, and instead follows frustrated characters to move to the outskirts of war without playing a lot, if any, in actual fighting.

Like many other “war on terror” films, the film was bombed at the box office, although its reputation rose in the years that followed. After the release of the film, Mendes was looking for his next project when he chose the rights of “American Prometheus” by Kai Bird and Martin J. Sherwin, CV 721 pages of the inventor of the world’s first atomic weapons.

The book book believed that Mandis’s excitement to address the project means that they would see their work in life, but although it was quickly followed for development, the project soon started. Ultimately, Mendes will get War movie “1917”, “ But for the book “American Prometheus”, they lost hope that the film will escape from development at all while the rights of the book passed from one product to another, then searched for a director who can address this giant from a book.

With the rights to direct a movie based on “American Prometheus” in the air, producers have searched for a director who will not be afraid to address such a heavy topic. Enter: Oliver Stone, controversial war films director such as “species” and more controversial such as “JFK” and “Nixon”. Stone never broke the talk about his mind, but even the fire like Stone could not wrap his head about the possibility of adapting the book.

Following the success of the movie, Stone “He refused the project because I could not find my way to its essence.” After Stone, it seemed that the fully adapting the ice until the businessman in New York J. David Wargo the rights himself and pressed a meeting with the producer of Nolan’s productive partners. It only happens that at the same time that Wargo made the stadium to Nolan, Nolan had already provided it with thanks A gift from “Tenit” star Robert Pattinson from Obenheimer’s sermons.

Nolan came on board to officially adapt the novel, and the rest is history. Stone praised the “direction of Nolan” that baffles the mind and eyes, “and the fans agreed. The film went to The total is more than one billion dollarsA number of characters in science fiction equipment or supermarkets is usually allocated, not cases and pork pie caps.