David Marcus: While Springstin and Di Nero Tersh America are flourishing abroad, Kennedy Center

This week, while Bruce Springstin and Robert de Nero President Donald Trump abroad in front of the wealthy Europeans, the Americans every day flowing to the Kennedy Center to enjoy fine arts.

It is a very divided screen that must be observed, and in the end, Boss and Droope Eyes Old Bobby appear as not looking for something ridiculous.

Let’s start with Springsteen, who started his tour in Manchester on Wednesday evening with a brits.

Dolly Parton Symphony Concept is heading to the Kennedy Center in the capital at the event “No one wants to miss” the event

“My home, America that I love, America, which I wrote about, and which was a beacon of hope and freedom 250 years ago, is currently in the hands of corrupt, incompetent and betrayal administration,” he said.

Later on the show, during it he was supposed to play some music, Springstin called Trump incompetent and authoritarian. Bruce appears to be not born to run, and he was born in a gynecologist.

Through the English channel, which has not yet established America, de Nero at the Cannes Film Festival was receiving a life achievement award, because the only thing that actors do better than wearing makeup and saying things that he did not write is to give each other awards for that.

Of course, De niro could not resist a lot of bull raging around Trump.

“(Artists) represent a threat to the Autocrats and fascists,” he said. “The Palestinian -American President had appointed himself the head of one of our leading cultural institutions (Kennedy Center). He cut funding and support for the arts, humanity and education.”

This last statement on the Kennedy Center attracted a strong reprimand from its new controversial boss, Richard Greenil.

“He is lying,” Greenil wrote on x. “President Trump has not reduced funding for the Kennedy Center. There are a few faithful correspondents who have already reported the request to increase the massive financing of President Trump to the Kennedy Center. It is the political party of Nero that cancels the offers and strikes people who do not agree with them politically. We have not canceled the offers.”

The fact of the matter is that Greenil is right in this matter. Actors, produced by “Les Misérables”, rejects the performance of Trump next month, and not Trump refuses to watch it.

It was the producers of “Hamilton” who decided to cancel the Kennedy Center, and not Trump administration officials in the arms teams who control art.

In fact, I don’t know whether the composer “Hamilton” Lin Manuel Miranda knows this or not, but these days, they are likely to cherish his national music. Many accuse him of the left now on the terrible date of America.

For the first time in decades, we have a leadership at the Kennedy Center concern about what the public wants, known as the people, and not with the teaching of Americans in progressive ideologies with offers that no one wants to see anyway.

As it turned out, I found myself at the Kennedy Center on Thursday evening to arrest the Simphoni national performance of “Missa Delemens” in Beethoven. After all, the column writer cannot survive on diving bars and the Middle West dinner alone.

I know this will be a deep shock to Sperinstine and De Niro, but for my life, I could not find fascism or tyranny.

Instead, the Americans of all ages and walking were stunned as a piece of music that fascinated the fans for 200 years under the supervision of the legendary Maestro Jianandria.

It was a house crowded on Thursday night. You can see young people hold $ 10 rush tickets as you did as a student to see the Philadelphia Orchestra decades ago.

Try to enter the Springsteen party for $ 10.

While Boss and Bobby were roaming by Euro Elites, they were still playing in their sad, sad, sad detained fantasies that were born under the fog of the smoke of weeds in 1968.

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In April, the Kennedy Center broke its record in the audience when 11,000 cheese performances combined art, science and drones. It is exactly the type of programming that brings this jewel back from the arts to people.

For the first time in decades, we have a leadership at the Kennedy Center concern about what the public wants, known as the people, and not with the teaching of Americans in progressive ideologies with offers that no one wants to see anyway.

Perhaps Springstein and Niro should stay in Europe and move near Rosie Odonil and Eva Longoria, who have already left after the Trump election. They all believe that America is terrible and they can all get crowds of chanting outside to surround it in red, white and blue.

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Here in the United States, we will not miss the talents of these rejectionists, because we have a wealth of bright artists who want to share their talents with everyone, Republican or Democrat, who know that at its best, art does not unite.

So, if you find yourself in Washington, you’ll swing by the Kennedy Center and check this. Or wherever you live, you find artists who want to talk to your soul, not to your policy. Because in the end, we are finally, again, we provide space for this old chase.

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