David Lynch had one case to make twin peaks: return

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There are two types of people in this world: Those who think “Twin Peaks: The Return” is a TV program, and those who are wrong.

I am a child, I am a child! Well, somewhat. However, let’s restore a minute of everything you blessed there and those who are not the most. The debate on whether Mark Frost and David Lynch should be considered to be a darker and widespread surreal partial in the 1990s. Critics poll for 2022 at Sight & Sound For the best films of all time. But why, exactly, are these prestigious outlets that insist that the season of 18 episodes that were broadcast at the beginning of 16 weeks (with the first two episodes or two were collected together), as you know, a TV program?

There is no doubt that some of this can be destroyed to the prevailing position (for the sake of my money, ridiculous) that the film is a superior way for television, which some people stuck stubbornly because the flow has clarified the lines between the two. This may also be in response to the comments made by the lynch himself, as he referred to “The Ruitn” as a “18 -hour movie” on more than one occasion. However, it is not surprising, because the late artist (as it was typical for him) was a special perspective of privacy, but it is thoughtful to the entire movie in exchange for a TV discussion much, much more than Soundbit.

“TV and cinema for me are the exact thing,” he explained at the Ciremj Film Festival in the first two episodes of “The Return” in 2017 (across diverse). “Listing a story with movement, pictures and sound. It ended to 18 hours.” Yes, usual, Lynch had a simple way if it was somewhat mysterious to approach the entire matter, and this extended to the only situation he had to create more “Twin Peaks” in the first place.

Lynch was known for being many things, but the Orthodoxy was not one of them. Whether it is cooperating with a cow to conduct a campaign for your consideration For his star “Inland Empire” (and Muse) Laura Dern Or listing mercury tales about his personal life (exactly what an act Going between him and These wooden wood dollsIn any case?), The man went wherever he was a compass. So, as soon as he and Frost decides that they need more than the nine episodes that Shotyim initially allocated to “Twin Peaks: The Return”, the Lynch was not afraid to get away from the project completely when the excellent network had passed on the possibility. He puts his money in the place of his mouth, he left the series publicly twitter (or, As Bob calls it these daysX) in 2015 after he and Showtime failed to see the budget.

In his memoirs 2018 “Dream Road” (Who participated in his authorship with Christine McCina), Lynch summoned the CEOs of Showtime David Nevins and Gary Levin appearing at his home two days after he left to resume the conversations … Unlike each other guest he had ever he had, Included Mail BrooksLynch did not call them to Bob’s big boy to chat, so you Know Things were tense. Fortunately for them, they had insight to bring cookies. In the end, the husband agreed that instead of trying once again the rash of the strong arm, they simply give him the closed budget he requested and allow him to get to know the episode on his own. As Nevin (who was attributed to that – does not intend to turn behind the deal) in the cash of television critics in the same year (across TV guide):

“I don’t know (how many rings are). They will decide. I expect it to be more than nine, but it is open.

In some way, Showtime got something sweet; Lynch and Co. Weak number of episodes that the network requested originally, but not necessarily at a cost of poor cost. Moreover, “Twin Peaks: The Return” was a real event for those who were seized. A week after week, you never knew what to expect. Odyssey is strange through multiple dimensions? Landing to a black and white nightmare often annoys me often? A Buddy Adventure with Lynch’s Fbi’s FBI Vice Director Gordon Cole and his own customer for long citizen Albert Rosendeld (Miguel Ferrier)? The “The Return” was all and much more, even when it is self -struggling with concerns about nostalgia for the past and the ways that people could fight for their peace with the past (and even in some cases, they tried to reshape it).

But as much as you can feel any individual episode of “The Return” as if it is a short movie, the show is largely organized like a series. Its weekly premiums tend to finish a singer or band in the TWIN Peaks’ at night, The Roadhouse, while her comprehensive story is divided into clear chapters. You can see everything in one, definitely, but it will not feel like one movie (even if it is visual, it is visual Amazing like any lynch movie ever). In fact, it seems to be sewn to participate with it weekly, between its repeated elements (which risk repetition during the hour of the hill) and the huge amount of strangeness Linchian that packed it.

In all fairness, I see the Lynch point about non -discrimination between TV and the film, all in an era in which many unseen media became more and more cinematic. But the Thomas plane notes in his video article “Why will the movies not feel the same again?” (This is completely worthy of appearance whenever you get an hour to spare it), embracing what makes movies and television distinct can be a key to keeping each of them closely related culturally, instead of tending to the idea that one is “better” than other media (intentionally or otherwise). Or, to borrow a turn of the phrase from the lynch itself, watch you on the cakes, not the hole.