Chapter 2 breaks the largest base of the horror series in the most boring way

This article contains Spoilers For “strangers: Chapter 2.”

In the last moments of “The Strangers”, The Titular Killers reveals their motivation in four simple words: because you were at home. Basically if the random psychological torture of “funny games” of Michael Hanik is presented as a dark cancellation. High contempt “prey at night” Not only Not Give the three disabled strangers background background, ending with their deaths as a natural culmination for them simply people. When director Rene Harlelin announced that his restarting from the Slasher concession would be a trilogy of films that explored the origins of strangers, he immediately demolished the concept of the brand of the series.

“Strangely: Chapter 1”, however, he does not even distinguish between being something of his own. It is largely a new, inactive and strained version of the ’08 with a terrible year -old couple at the center. There is no real disclosure regarding the motives or identities of strangers, as much as many residents of the shaded city in the first third who could be likely to be scarecrow, girl or doll. Chapter 2 has always been a marginal improvement by being in an unexplored area. It is escalating directly in terms of the “first chapter” stopped, with Maya Madeleine Beach waking up in the hospital after he survived the invasion of the house, which ended in the death of her fiancé, Ryan (Froy Guterres).

/Rafael Motamaure, “Chapter 2”, as the horror of survival that is not inspiringIt is cute. It is a great thing to make a lengthy length movie that opens with an extended honor for Rick Rosental “Halloween” in this list. To make things worse, reveal this We are Made in relation to the origins of strangers is a ridiculous development that returns to their childhood.

“Chapter 2” opens with the revelation that Chile (Emma Horfath), the waitress from the previous movie, was the girl who knocked Maya and Ryan Verben asking whether Tamara was at home. The name never means anything that is not important to see if the house is busy with potential victims. However, in this film, we learn through a series of strange memories of the past that is not passing by TRUE The person, but stimulating everything, at least what we have seen so far.

Twenty years ago, it was found that a young man/pin (Nula Wallace) was parked between her peers, albeit with one exception. Her friend (Jake Cojamman) has not been given a name, but she is very implicit to be Gregory (Gabriel Basu), known as the child who will become a scarecrow. When spending time with a local girl named Tamara (Pippa Blaylock), this makes Chile feel jealous to the point where her game is kidnapped on the field. The young scarecrow knocks, asks if she is at home, accepts it, then leaves. Chile follows the first few steps, then hit Tamara to death with a rock. The young scarel does not deter its violent actions, as much as it is fascinated. It even makes the face of the smiling strangers in the bloodshed while caught the hand of Chile.

After all, “Chapter 2” ends with the mourning scarecrow on the death of a pin girl on the way after Maya got to drop her in the ambulance, which is very stupid. It will not surprise me to learn that these scenes were the results Reshoots Harlin pledged as a result of the negative reception for “Chapter 1.” Strangers who are born from the pitch feel like something that will come out of a satirical simulation, however it is played directly here.

The medium separation partially allows the exit from the bag by saturating strangers with a story that contradicts the arbitrary nature of the killers in the most boring ways. I was in the “saw” trenches for most of my life, so I used to ridicule the horror. Where these films expanded the story by the complex opera conspiracy, Harleen’s “strangers” films barely feel that they made any traction. In a better movie, a girl is killed by Maya as a revenge for her direct role in the death of Ryan that would parallel in an interesting way, but it is so dangerous that the sequential taste is not fun.

The end of “Chapter 2” indicates a greater plot in view of the background some form. There is also a potential thread about the murderers part of worship. Two religious children appear in “Chapter 1”, but not “Chapter 2.” Instead of their absence here, this fixed sermon is broadcast on the radio, but it has never been expanded, which leads me to believe that it will be repeated in “Chapter 3.” Dollface has not yet been revealed, but the possible collection is stacked through these offers that can be forgotten immediately so that it really does not matter, and this is noticeable given the narration deviation.

I have no doubt that Harleen will attend this story some A type of conclusion with “Chapter 3”, but this is not much courtesy. The ends, after all, can be re -created everything that happened before. But if it takes until the final input is in a trilogy to be “good”, it appears an important defect in the design in the entire institution.

“Chapter 2” is now playing in theaters in the country.