Artist Lauren Bon, who appears in the Los Angeles River. Bon and its non -profit center for art and research, metabolic studio, spent more than a decade in a project called “Bending the River”. The initiative derives water from the Los Angeles River in the center of Los Angeles, and uses it and uses it to irrigate the historic Los Angeles Park.
All J. Schaaben | Los Angeles Times Gety pictures
Politics, science and law are not the only areas that have the ability to influence Climate Change Policy – When it comes to direct interventions, art should not be reduced, as those familiar with the industry say.
The arts have a “basic” role that it plays in forming environmental governance, according to the organization that oversees the arts program at the United Nations Oceanic Conference (UNOC), which begins on June 9, in Nice, France.
According to Marcus Raiman, co -director of the Foundation of Art and Contemporary Call TBA21, contemporary art, art and culture can “revive relations” with the environment and those who inhabit them.
In UNOC, TBA21 will supervise about 20 activities, including exhibitions, workshops and discussion discussions, to increase awareness of the oceans and participate on the topics of renewal and sustainability practices. Initiatives “confirm the vital role of culture and arts in making high -level political decisions,” according to a statement sent via e -mail.
The exhibition “To become Ocean: a social conversation around the ocean” is part of UNOC and is characterized by the work of more than 20 artists “, and explore the main challenges facing the ocean,” according to TBA21 website.
(Art) can sponsor and enhance the (the) care and agency that we have now made outside experts – scientists will take care of this, and politicians will take care of this … so we (we feel that we do what we do except to consume and earn money to be able to consume. I think art can break that open. “
“Spectrum” is composed of the artist Maga Betik, which shows natural environments. Betik said she felt “urgent” to preserve the memory of this landscape.
With permission from the artist
It is a topic associated with the artist Maga Perik.
Light facilities, or “statues” aim to raise what people feel when they test virgin nature, as CNBC told by video call. When asked if her work could affect the climate policy, she said in an email: “As an artist, I am not talking about standards or policy. But there is evidence: in every person staying with the piece, sometimes for minutes, and sometimes for hours.”
In May, Petric won the innovation award for her work “Hoh Rain Forest, 2025”, as part of the House of Fine Art and Phillips House House.
The sculpture appears in the form of a glass cube, glowing with light that changes the color based on the live temperature data taken from the HoH Rain forest in Seattle, Washington State. “The idea is: What if … there is no such landscape in the future, but how will we think about it?” Berik said about her work.
From Turner’s Landscape to Skyscapes Constable
Not only is contemporary art that explores the human influence on the natural world.
“Historically, it may be the greatest contribution of artists who have been presented in the context of environmental risks is to remind the broader society of what can be lost. From Turner’s natural views and cloud regimen to Richard Long, artists in email reminds us to CNBC.
John Constaba works “The Study of the Cloud” of the importance of the natural world, according to Jodfrey and Worspiel, director of the Henry Moore Foundation. A cloud study, filmed here in the sale of the auction house in London Sotheby on June 22, 2022.
Michael Bulls Gety pictures
Worsdale also referred to the “7000 Oaks” project, German artist Joseph Boys, where the artist and his team planted 7,000 oak wood, one of which stands outside the Henry Moore Institute in Leeds, England. “It grows steadily when the modern city revolves around it. But as we know, oak grows slowly and the world changes more quickly,” said Woururdel.
Art could be a way to make the climate crisis “easier to understand and dispose of it,” according to Lula Rapuort, the community coordinator in the exhibition coalition of the climate.
“The biggest obstacle to the purposeful policy is how the abstract and elderly climate change can feel,” Rapoport told CNBC via email. She said, “Art can bridge this gap by helping us to understand difficult concepts and imagine alternative future contracts.” Rappoport cited Ice Watch London, the 2018 project that witnessed an artist Olafur Eliasson brings 24 large ice pieces From Greenland’s iceberg to London, for example, “How art can literally bring distant concepts near the house.”
As for the artist Ahmed Augout, the art has a “power and agency” that he said he does not need to wait in order to be recognized by politicians or scholars.
He said in an e -mail to CNBC: “Art does not need permission, works in parallel systems, stimulates new imagination, form temporary societies, and provides tools for resistance.” Ogut referred to the artist Lauren Bon “Bending the River”, a large -scale project Transforming water from the Los Angeles River To irrigate public lands as a technical work “directly in the environmental infrastructure”, and create “a form of civil compensation”.
“Beuys’ Acorns” is an installation by ART Duo Ackroyd & Harvey consisting of 52 developed trees from Acorns collected from German artist Joseph 1982, “7000 Oaks.” The work here appears in Bloomberg Arcade in London.
Jeff Spicer Gety pictures
OGUT was “saved from the whale (which was saved by art)”, which will be launched at the Stripford metro station in London on September 10, “inspired by an accident that occurred near Rotterdam in 2020 when a train got the tracks and was saved through a statue of the tail of the package,” he said. Transport for London.
“Art can help us to stop pretending that we are separate from the planet,” said Augut. “The future does not lie in major ads, but in small and consistent solidarity. This is where art begins.”
Ogut also called for the inclusion of artists early in projects that deal with climate change, and cited Borrego Cubero and Natalie Jeremijnko angel, which can be rotated in building emissions and food grows at home, as an example of “how integrated technical approaches can be.”
“We need more cooperation, as artists are not brought to” aesthetic “or the question, but they are involved from the beginning as equal partners.”
https://image.cnbcfm.com/api/v1/image/108151390-1748450912589-Maja_Petri_Specimens_of_Time__Spectrum_2025_Data-Driven_Light_Sculptures_Courtesy_of_the_Artist__HOFA.jpg?v=1748589375&w=1920&h=1080
Source link