Black Mirror is a video game accompanying addiction you never knew

“Black Mirror” from Charlie Broker has interrogated our relationship with the media and technology since 2011, and since we are on our screens more than ever, it makes sense that this show is essential “Al -Shafak Zone” for our eraIt is more important than ever.

advertisement

A veteran player began to start as a reviewer for the PC Magazine area, Broker takes a video seriously. He is far from crying as much as it comes to games, but he has a hole on the ways where people can become obsessed with these virtual environments. We can grow angry when he casts the game with a particularly difficult task or apparently at the level of its boss is not defeated in front of us, however, we are attached to the gods or characters so that it looks like death in the family when it ends.

It is possible that no movie writer or television is more qualified to ridicule the video game industry than Brooker, and certainly rose to the challenge with the ambitious “Bandersnatch” for the year 2018, which is the interactive “Black Mirror” feature that David Slade is directed by the viewer to make choices to program the programmer, Stefan (Fionn (Fionn) WhiteHead, as AdApt A Adapt A Bood-How tries. Stephen’s unhappy childhood plays a major role in his struggles, so that the viewer can sometimes find themselves decisions based on the emotion of any certain moment instead of doing the wise thing (although the wise thing is also a bad idea as well). In the end, “Bandersnatch” was more than an ethical play from the first person more than the gaming industry, but Brocker did not end this world.

advertisement

When the last season of “Black Mirror” Netflix hit last April, viewers were excited to return to the “Bandersnatch” schedule “Bandersnatch” With the “PlayThing” episode. If they are disappointed at the beginning to discover that there is no interactive component in this story, they are likely to be happy when the trailer offered the quick response code to the game. Was it worth the effort by the Netflix Games in making it?

“PlayThing” is the fourth episode of “Black Mirror” Season VII (you can read /review the movie everything here)And for “Bandersnatch” fans, it was certain that it was excited to log in with the Will Polater programmer outside the center, Colin Retman. The stars of the episode, Peter Kabeldi and Luis Gharib, respectively, the oldest and smaller version of the references of PC Zone Cameron Walker. While working in PC Zone, Walker steals a copy of the new Ritman, “Thronglets”, which the designer claims to fill in emotional digital creatures.

advertisement

While under the influence of LSD, Walker is an extraordinary bond with crowds. He believes he can communicate with them and home computer upgrades so that he can speak directly to them. When his room colleague records his computer and is harshly killed by many crowds, he kills angry pedestrians and dismantles him. Ultimately, Walker and crowds are integrated as one, which mainly reproducing creatures for the awareness of every human being on this planet.

It is a funny moment-one Broker and Netflix decided to be enjoyable as a playable Kaaba in our real and strange world.

In an interview With Hollywood Reporter,, SEAN KRANKEL, head of the NETFLIX School Studio, revealed that “PlayThing” has provided the company’s game developers an ideal opportunity to make a tie game for one of their shows. Although “Thronglets” is a modest creation that allows about three hours from the time of play, it forces the players to make difficult decisions regarding the welfare of the crowd (who truly Do not like misinformation or abuse).

advertisement

Most of the people who took a crack in “Thronglets” have found that it is an appropriate twisted game on the application games that always lead you to the conclusion of a “very black mirror”. Therefore, really, this alone allows her to emerge from your diverse time garden. However, it is an incredibly light elevator for the NETFLIX emerging games section, which looks like countless films that found its way to NES in the late eighties and early nineties. At that time, each major studio was GRIST for the video game branch. This is the way we got cartridges for “Jaws: The Revenge”, “Hudson Hawk” and “No Platform”, “Pharaoh”. This is a strange thing to excite.

It is clear that the Netflix Night School Studio was from a selling point when “Sesame Street” deal struckTherefore, we can likely expect more advanced production than these people. Currently, don’t hesitate to download “Thronglets” on your phone and feel a bad person for three hours.

advertisement