Before Fantastic Four, Vanessa Kirby starred Mensi Film Film on Prime Video

In the world of modernization of “The Fantastic Four: First Steps: Sue Storm/Invisible Woman (Vanessa Kirby), it moves in the complications of motherhood while also acting as a ungodly of the family that was found together. While Sue and manipulation of light makes it no doubt that it is enormous, but its rugged power To save the world is what helps in the end Turn the tide in the battle against a terrifying cosmic entity. Even before Sue embodied in the latest “Fantastic Four”, Kirby played countless roles on equal and equal, and diluted with interesting depth.

We have a successful interpretation of a young Princess Margaret in “The Crown” (which Kirby won in BAFTA for the best supportive actress) and also Her moving role deeply in “pieces of a woman”, which explores sadness through a dark, dark lens. There are also a large number of theatrical performances that are worth noting, as well as manifestations in the intention of good faith, including “Mission: Impossible – Dead Reckoning Part One” and “Hobbs & Shaw”. But Kirby played the starring role in the horror of the British low -budget science fiction worth more appreciation for its advantages. The film, which was released years ago before the actor emerged to the lead, displays the Kirby scope as a character that is subject to rapid changes in the Dystopian environment.

The 2016 science fiction dust is only “Kill Command” for Stephen Gomez, which evokes the standard Trops B-Movie Trops but can be more unforgettable than any kind of mill. The GOMEZ experience as a supervisor is displayed on the full effects in the first director’s appearance, as “Kill Command” with shiny Cyborgs and slow motion serials, with CGI to most heavy lifting whenever the story takes a seat back. This is not “Terminator” or “Robocop” for clear reasonsBut Gomez makes every type of cliché looks ScaleWhich makes this one -time monitoring worth your time.

The world of “Kill Command” is one technically advanced, as Harbinger Corporation (really fateful name, if you ask me) every sector can be imagined. Catherine (Kirby), Cirburg, who works in Koro, discovers an homosexuality in the Harbinger I war, and this leads her to join a training mission with a group of specially trained officers, including Captain Dame Box.

As it may have already been guessed, the group is somewhat received at the extent upon arrival: global communications are suddenly disabled, drone monitoring is now independent, and the Rogue SAR (study analysis) is seen wandering in the region. The soldiers, along with Catherine, are lowering the threats of artificial intelligence, but the SAR unit is still far from hand, along with many independent machines.

Is this something you saw a hundred times in the movie? Perhaps, since the comprehensive topics in “Kill Command” are not as deep as you want to be, they renew the risks of unrestricted technological progress without adding anything meaningful to the discourse. This is the narration of nude stories that does not cost himself the trouble of hiding Holwah by demonstrating, and this is exactly the reason that the excessive spots for each fighting sequence He works. Robot designs appear more complicated than any of the characters that appear on the screen, and require all our attention with their terrifying instincts. These limestone monsters feel like a loose raging opponent instead of the rogue gold machine, penetrate people in strips or searching for emotional communication secretly. This is somewhat wonderful on its own, but it seems that the movie is very interested in dissecting whether the machines are eager to the ideals or only kill for it.

Once we look beyond really impressive machines, Catherine from Kirby is the most urgent part of the narration, as the nature of the partials containing particles contains a nucleus of complexity. Catherine was not always Sipurg, so its automatic instincts are learned, not inherent, which creates a conflict of interests with the rest of the group, which looks creative and fascinated by itself. Gomez could have weaved more than one personal study with these aspects, but he chose his instead of battles inspired by the unforgettable video games that are enjoyable without students. After saying this, it does not harm the enjoyment of a little science fiction of the science fiction of what it is, therefore, This is one for anyone enjoying the work of Kirby Or he likes to watch the killer robots overcome human hell.

“Kill Command” is currently broadcast on Prime Video.