Ares has a leading first major for Disney’s concession for decades

When the director and co -author Stephen Lezberger “Tron” imagined in the early eighties, the attraction of the concept was largely dependent on the perception of what the world may seem within the computer system from the program’s perspective. Of course, Lisberger was not trying to be very realistic in his perception, but was looking for a way to translate ideas and functions that the general public has not yet heard into the screen. As the title of the movie indicates, Lisberger reaches an approach that can be called an electronic future, as it goes to the extent that the future artist Sayed Meed is employed to help create the environment and the things in the computer world “TON”.

Like “The Wizard of Oz”, “TON” includes a human figure that is pulled into a completely new world, so the places and things needed to look completely fictional, but they also needed a foundation in physical reality, not only for the character but until the audience also understood. Therefore, one of the things that Mead and Lisberger was the light cycle, a vehicle that is noticeably dependent as we know – it has two wheels and it seems that it works similar to a motorcycle – however it has unique characteristics from the world of “TON”.

The first “TON” films allowed the light cycle to live in Wadi Gharib, thanks to the fact that It is largely created in computer graphics and animation. This means that there is no full -sized operating lighting cycle while making “TON” or “Trone: Legacy”. However, all of this has changed to production The latest movie in the series, “TON: Ares”. In the first place for decades that lasted for decades, light courses that were seen in the film only were not presented in a computer, but were designed for filming in the real world, some of which work. This was accomplished by building each session around the Harley Davidson Temple, allowing light sessions not only to sit by actors, but also revolve around it. The result is a mix between the e -future of the computer world and our real world, and it is exactly what is going on “TON: ARES”.

Since the follow -up of “Trone: Legacy” has been under developmentThe various writers and producers behind the project had the idea of ​​withdrawing a reflection, such as James Cameron, on the hypothesis of the movie. Which means that when the first “TON” films include human beings that were absorbed in the computer world, the next movie will reflect this process, and bring electronic residents and their environment to our reality. The early trailers and appearance also show, “TON: ARES” finally achieved this goal, as it offers some visual moments of breathtaking where giant recognition vehicles or other network cars appear in the midst of some streets of the human city. In addition, we get glimpses from Ares (Jared Leito) and his colleagues in programs that races highlighting real roads. It turns out that this visible is something that the director of “Ares” Joachim Roning wanted to see for a long time, which causes him to take the head of “Ares” himself. R ränning also told SFX magazine in an article about the movie in the last issue, this concept represents the next step for the privilege:

“This prompted me to the project – the concept of these assets in the real world. I have never seen that before in this privilege. I felt the original and the great, like the next natural step in the development of“ TON ”. It was an enormous task.

As Ränning is alluded to, “TON” movies are not just a saturated IP address, but instead films that multiply as water gathering moments in the history of visual effects. The original “TON” was one of the first films that benefited from the photos created by the computer, especially in the case of these light courses wandering in the game network. “Tron: Legacy” was the unveiling of the digital dependency technique, something that was used to make Jeff Bridges’ CLU look as the young bridges did in the first “TON”. Thus, “Ares” looks like a little closed circle; Instead of the pictures created inside a computer made to look real, the film takes a fictional object and brings it to our reality. “TON” has a history with the art of imitating life and vice versa, and it seems that anything else “Aris” will not be sagging in this section.