After 30 years, “Safe” certificates are just as worried

the This environment It can often take a high -energy and high -motion approach. We have seen animals and/or insects turning them Eclipse This makes them want Attracting every human being In their midst. We have seen the twisted nature in spawning evil monsters alike giant Al -Majahi. We have also seen that the weather is going in the Ice Age in the third chapter after Los Angeles tearing with Tornados in ACT One.

but Not every environmental movie Speak at This is a loud voice. In 2011, Jeff Nichols respect Explore the explosive home life of the construction factor, whose horrific visions have soon become obsessed; While preparing to die, his angry loved ones are increasingly assumed that he is completely steadfast. In 2021, Ben Whitley On the ground Investigating a story indirectly on the Covid-19s, placed in a forest where the plants launched an attack against all human invaders.

Even before that, you want Heinz security-It was released in theaters 30 years before this month after it appeared for the first time at the 1995 Sandans Film Festival-perhaps the most important types of environmental renewal for all. You cannot see it, hear it, or even feel it, unless you are securityMain character: Carol White, a housewife played by the young star, Julianne Moore.

security It is held in 1987 on the outskirts of Los Angeles, where Carroll, who is committed to pastel and pearls, spends her days in mission management, and she asks the home of the house around her and attends exercise chapters. It is a comfortable but boring life. What goes through the drama is the new sofa that is handed in the wrong color, or a friend who suggests that they are trying to follow a Felier diet.

Carroll does not smoke or drink – describing herself as “milk” – and her personality is very negative. It does not seem to have a lot of inner life. Its lack of expression is perfectly identical to Hinz’s style of telling his story: it is very dedicated, almost to the degree of air and sterile. We imagine Carroll as a character in Durama telling her story.

But if Carrolls look like a person He should Rebellion is being worn inside, security– It was released at the height of the AIDS epidemic, a crisis that indicates each of the idea publicly and symbolically. While in some senses, it is a feminist comment on the stifling roles of the sexes, security It is also a film about a woman whose body begins to collapse in response to her environment that is not noticeable, which weakens both physical and mental health.

If you are watching security Actually learn where Carroll is going, easy to choose clues. The first thing we hear from is sneezing – a gentle vapor of coughing seizures, vomiting, nose bleeding, hyperplasia, skin revolutions, and seizures that come in the end.

Its presence in McManSion, which is apparently a tax, is full of toxic players and pollutants: a carpet from the wall to the wall that is constantly emptied, kitchen tanks that must be filling, and the car exhaust from permanent traffic cramps, planes that fly over it, clay devices, phones, televisions, radio stiffness, and electric wearing. We see Carroll visited the dry cleaner on multiple occasions, including a catastrophic attempt to pick up clothes while flying the place, and at one time it is decided to add Perm and Manicer to a beauty salon routine.

But everyone else in her life lives in the San Fernando Valley bubble, apparently well. It is just Carroll that begins to get violent reactions, and the initial response – especially from her husband, who is constantly atonement although it has become somewhat more supported – is everything in her head. It is only “exaggerated”. “Little running.”

“I really don’t see anything wrong with you,” the regular doctor reprimands, while advising her to stay away from dairy and forgetting a fruit diet as well. The allergic tests are proven decisive. A psychiatrist looks closely at a huge office, asking, “What is happening in you?”

While Carroll descends from sensitive to fragile to fragile, her disease becomes completely identified, and finally she finds – not answers, but a society of people with similar symptoms. (You find them through a bulletin posted on her health club advertising board, which he strongly asks: “Are you suffering from an allergy from the twentieth century?”) The treatment requires moving to a common refuge in the desert, which takes Carroll away from life, and it seems that she will miss her, although at least one emotional one is the one in which she settles.

Exactly how Carroll fell victim to this exhausted situation is something we never learn. The way to put Haynes with its weak presence is very effective, which means that it is a surrounding disease to leak to anyone, anywhere, even in an abusive environment. security It is also great in the way Carroll is seriously required – the public believes to her, even if there are no other characters – while the new era industry benefits from its patients impatiently. Carroll and her colleagues from the population are wealthy enough to push her pocket for residential treatment, but naive enough to not ask why the founder of the program lived in a palace waving on the property.

The most shredded part securityNevertheless, it is its mysterious end. Even amid her new isolated home location, where everyone notices rules about chemicals, organic food, and undergoing regular treatment, Carroll does not recover. In the end, it moves from a rural cabin to a brown -like structure that completely surrounds a “safe room”, free of pollutants as long as Carroll is the only one that enters inside.

Until then, although continuing to insist that she feels a great improvement, Carroll is clearly deteriorating. Stack. like security He concludes that the public is openly called to ask whether it will improve – and if the option I made, to live in isolation somewhere In full A regulator about environmental disease, was even worth it.

After 30 years, the answers still do not come easily. Most of them are all -term, environmental diseases still lie between us – as in that, calling for doubt, and ambiguity as it was always.

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