After 28 years, there are many common denominators between the most disturbing Danny Boyle movie

This article contains Spoilers For “after 28 years”.

As part of the press tour of issuance “After 28 years,” Director Danny Boyle A request by the Tik TOK is a blind classification of his five favorite films that he made. Although the director was prepared to choose “after 28 years” for the first position, Boyle has deviated in a different direction and chose “millions” instead, a film that he made in 2004 between two horror/science fiction “After 28 days” and “sunrise.” While some commentators on social media find this option bewildering, it is not uncommon at all that the artist in general appreciate their work that is generally seen or reduces. In some cases, this semi -self -promotion, as the artist lights up highlighting something they feel that he did not give a fair tremor.

In the case of Boyle and “Millions”, however, the director’s emotion of the film feels that it is especially real, and there is no more clear place than the screening of his last movie. Boyle is, of course, and therefore there are many involuntary cramps and the objective style that connects all his films and made it part of filming firm films. However, while “28 years old” is a supplement to Boyle “after 28 days” and features elements That appears in many other filmsIt is “millions” that the film appears to participate in. Since Boyle’s work on “millions” was truly underestimated, its aspects that appear again in “28 years” are very welcome. In fact, these qualities shared by both films help make “28 years” one of the most wonderful and wonderful horror films that have ever produced.

Since the beginning of his career, Danny Boyle has proven to be a smuggler in playing with gender agreements as much as he deals with the frequency of the movie and a tone. As such, the majority of his films are either of the type mixed or uniquely unusual in its approach. “Millions” is not an exception, because while the reputation it enjoys is large as a sweet family film, its plot is mainly rooted in the movie Noir, which is something like Sam Raimi “Simple Plan” (Or for the first time for Powl, “a shallow tomb”) but with large -eyed children instead of street adults. In the film, a 9 -year -old boy named Damian (Alex Atl) and his older brother Anthony (Louis Owen McGipon) came on a bag full of cash money while playing near the train tracks in its industrial suburbs. While Anthony is trying to put a way to keep money and use it for himself and his family, the religious Catholic Damyan begins to give money in different charitable ways. Unfortunately, one of the thieves who stole the money in the first place returns in search of him, putting a Damian plan in giving as well as his family and family’s life in danger.

One of the most prominent things about “millions” is how Damien Catholic deals with respect. In another film, his insistence on giving money to others will be insisted on or used for other charitable purposes, and the boy’s faith in this process will be possible. “Millions” is not a Catholic propaganda, however – the film depicts a Damian version of faith, not the Foundation version. Boyle and script writer Frank Cotrell Boyce explores how Damian’s view of the world affects everything around him, with the insertion of the cut and fictional trips as other examples.

The same thing can be said to the characters in “28 years after”, because Spike (Alfie Williams) is part of an isolated society on a remote island, it seems that it has proven a heavy belief in itself since the outbreak of the anger virus in 2002. Johnson), Spike aims to be a fisherman. When “millions” put a Damien Iman as a positive motivational force, “after 28 years, he doubts the strict beliefs of the island, especially when the man who lives on the mainland that Jimmy and others considered a dangerous madness, and Dr. Kilson (Ralph Vins) found.

In their essence, “millions” and “28 years” are coming from the stories of age, and although the first is a little more traditional than the latter, both of them feel deep and depth. This is because Boyle, Cotrell-Boyce and “Years” writer Alex Garland offers their young heroes to the factors of life without withdrawing any punches. Yes, “millions” sugar sugar these lessons are a little bit in the form of the wake -up dreams in Damian and the visions of the saints, but Boyle can only help in achieving an advantage of these imaginative motifs; In the way Ranton’s fantasies were the Ewan McGregor in “Trainspotting” were wonderfully deviant, Damian’s visions of “millions” are very sweet. In line with this sense of vandalism, one can argue that “millions” are in fact not an upcoming movie, as much as Damian is not subject to a big change during the movie. Although he already has an awakening in relation to stolen money and causes more harmful harm, his faith is eventually rewarded, with his charitable sense of charity, which leads to building some wells to help poor societies that live in Africa.

The road from the boy to man is more cruel and more traditional in “28 years later”, but it also touches a tenderness like “millions”, which are “years” in the movie “The Rare” Post -Passion Coma that you can get. Again, Boyle’s feeling of sabotage in play; SPKE clearly rejects his father’s insistence on his training as a killer, Spike comes to understand the value of the ability to stay in a harsh world of injured, yet Jimmy (and the village) still rejects. grant CliffHanger ends the movie (and A direct follow -up movie that will be released in January next yearIt is very likely that spike maturity has just started. However, “years” seem complete enough to consider them equally with “millions” and her life lessons.

The most direct parallel among the two films is that both Damian and Spike should suffer from the loss of their mothers. For Damewan, the actual event occurred outside the screen before we met with it, but the boy’s visions indicate the extent to which her loss was affected by him and his family. On the contrary, Spike should bear the slow decline of his mother (Jodie Comer), who does not die of anger virus but cancer. Fortunately, Boyle did not have to suffer from an accident like a boy himself, he grew up A religious Catholic mother you want to become a priestThe life of its refusal clearly. This may be the essence of the colors of the Boyle liquid in his films, especially these; There are higher powers, there is a harsh fact, and the two should find a way to coexist. At Danny Boyle cinema, they definitely do.