The reference scene was once born one of the greatest crime films ever

It is clear “Dardevil: Born Again”, Justin Benson and Aaron Moraid, who before I worked with Marvel on “Moon Knight” and “Loki” season 2They did their duty when it comes to this particular honor. The prohibition, preparation, and general vitality of their scene are similar to the masterpiece of Man, and it is interesting to hear Mardok and Fisk verbally and set the table when it is sure that Saddam is an epic with the progress of the season.

But as charged, such as the “newly born” dinner scene, cannot carry a candle to counter “heat”. To be fair to “Dardevil”, the “Heat” scene is … well, describing it “one of the greatest moments of films in all times” may cause some of you to roll your eyes, and to some extent, I understand it, because “Heat” has become an obsession with films of a certain age. But it may be in the conversation. Will it make the first five? Certainly no. But the best 50? The top 100? A case can be submitted.

There is an energy for Hanna and McCauley connection, which is a crackling electricity that comes to face in a major moment in their story. Part of it is that This was the first time that it had two sects on behalf, the Al Pacino and Robert de Nero, in Mashhad together, despite the appearance of “The Godfather Part II” decades ago. Regarding COX and D’Enofrio, although they are more than a common history on the screen, they are not on the same field as Pacino and De Niro, and they are among the greatest American actors in all ages.

https://www.youtube.com/watch?

The other thing that raises the scene is a mixture of first -class writing, and it is attended by Magic Pacino and De niro: These characters are similar to two animals, they flow, urge and feel each other, and the shows are very good at times that the two men revolve bodily each other, although they remain sitting all the time. But although there are few situations, there is a tangible security vulnerability as well. Every alpha man knows that he found equality for him, and therefore he is ready to share a little of himself that he will not be caught dead to tell anyone else, even the closest to him. Pacino, in particular, are the lights in this scene. There is a clear sadness and exhaustion that brings it to Vincent Hanna, but you can tell her the accurate expressions on his face-and a small smile that suppresses her several times while conversing-that he enjoys himself, and that he really respects the authorship of Moguli.

COX and D’Enofrio do not benefit from work from a text program like Mann’s, but to be clear, they are very good at the dinner scene. You can tell the boiling emotions directly below the surface for both letters, and they have enough date to know how to push the other buttons without crossing a big line they will not be able to not be exposed. If “Dardevil: Born Again” will construct the moments of the beloved from the history of the cinema, there is definitely films worse than “Heat” to the gesture.