How to follow a product that prevailed as a king of Mirror’s cameras over the past four years? For Sony, the answer With a1 It was simple: just improving everything. The result is $ 6500 a1 iiIt is a hybrid camera with a hybrid mirror in support of the levels that are the best so far in Sony.
A1 II is equipped with a 50 -megapixel sensor, not a universal sensor like A9 III, so it is not. completely Speed. However, the speed mix and the decision makes it the most diverse camera in the Sony collection. It also impresses the video side with 8K capture 30 frames per second 10 bits, along with 4K SLO-Mo at speeds of up to 120 frames per second.
I expect a lot of a leading Sony camera, and while A1 II has a lot of small improvements, there is nothing terrible. It is also against impressive (cheaper) competition like Canon EOS R5 II, $ 4000 and $ 4000. In addition, there is Canon R1 and Nikon Z9 at similar prices. So despite his strengths, I found that the new pioneer Sony was somewhat disappointing.
Body and dealing
A1 II is the best Sony processor to date. In terms of design and control, it is almost similar to the end of the company A9 III. In 743 grams (1.64 pounds), it is heavier than 617 grams (1.36 lb), but it is still the weight of the feather compared to other professional models such as Three pounds Z9. The new fist contains softer and more round features, so they are more comfortable and safe than the hard edges. This is a great help in making positives with heavy lenses.
If you like manual controls, A1 II is a dream. It has three initial aspects, compared to only two on the opposing pioneer. There is a specific episode for the situation to choose pictures, videos and so -called slow and fast, along with the double control wheel for both photography and automatic focus. Around the back, there is another disk, as well as a control stick and many customized buttons.
The A1 II menu system is updated to match the A9 III. It now provides a “home” preparation for your most used advantages, and everything is accurately organized in the sub -Menus. Sony also added an easy -to -use section to customize buttons, faces, fast menu and more.
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Despite the different price, it is normal to compare the design and preparation A1 II with Canon R5 II because they are both high -resolution cameras. R5 II does not feel a little more beautiful thanks to the most rounded shape and softer material. But A1 II has a larger set of controls, so it is easier and faster to shoot it as soon as it gets used to it. Sony also has an easy -to -find list system that is easy to find key settings.
Then there is the A1 II II (EVF) electronic camera lens. Although it has the same precision as A1 at 9.44 million points, it no longer decreases in the accuracy of a frame of 120 frames per second. However, it is so sharp and bright that it blows any argument for the visual camera lens. Sony provides a cup of lens, including what you call the “sponge” option that revolves around your eyes to prevent light, giving me a completely immersive experience. With all of that, this is easily the best EVF is absolutely used.
Vloggers complained that there is no completely detailed display on the A1. Sony tackled this by equipping the A1 II with a bright screen, 3 inches, and 2.1 million points not only tend to up and down, but also perfectly-perfect for both photographers and content creators.
As before, the A1 II contains a dual card opening system with support for both SD UHS II and (Sony) sighed from Sony A, which is not used by anyone else. These are faster than the SD, but not as quickly as the type B s openings on the R5 II, Z8 and others.
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The Z-TYPE battery provides a 520 decent shot on the shipment, which is just less than 530 on the A1. It comes with a nice set of ports, including full-sized HDMI and USB-C 3.2 Gen 2 high-speed that allows the transfer of 10 GB files per second. You can also get the microphone and headphones outlets, Ethernet 2.5 GB connect to a flash synchronization. Even Wi-Fi was promoted using 2×2 MIMO support that allows 2.5 GB transfer speeds instead of 1 GB per second as before.
performance
A1 II is the fastest high -resolution camera available, allowing you to hit the explosive speeds of up to 30 frames per second when filming Raw with an automatic image adjustment in electronic mode, or 10 frames with mechanical shutter. These speeds coincide or overcome its main competitors, but it is not an improvement in the four -year -old A1. This is a bit surprise, given that the A1 II has a much faster Bionz XR image processor than A9 III.
Automatic focus is a significant improvement, though. It closes the themes faster than before, so I saw a fewer shots out of focus when launching the bursts. The A1 II also contains the latest Sony algorithms and artificial intelligence features from the A9 III that make the topic recognition faster and more easy to use. Human bodies, faces and eyes can now be identified, along with animals, birds, insects and several types of vehicles. Moreover, the A1 II is the first Sony camera to define these topics automatically so as not to have to choose them yourself. In other words, if you imagine birds and spoke to see a bear, time switching will not be lost.
Sony was a little late in the game with this cars theme, as Canon and other brands were obtained for a while. However, the A1 II has the best application I have seen so far, because it chooses and closes the topics more quickly. Like other cameras, they can stumble in situations with multiple topics, and sometimes you choose the wrong writer. With human themes, Canon has an advantage thanks to the feature of breaking the face on the R1 and R5 that you will always try to lock a specific person.
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While the A1 II contains a mechanical and electronic shutter, the rapidly sensitive reading speeds mean that you can use the latter almost exclusively. Even in sports such as golf with high -speed movements, deviation and distortion rarely a problem when using electronic shutter, and you can take pictures silently without disturbing the participants.
Before capturing is a major new feature, allowing you to keep up with up to 70 frames when pressing the shutter button, before pressing it completely. This reduces the possibilities of losing a A decisive moment In a scene.
When it comes to installation, the A1 II also represents the first for the company. It provides 8.5 stops, strikes A9 III by half a stop and matching EOS R5 II and R1. Thanks to this, I managed to install sharp images even at slow shutter speeds that are ridiculed, like a full second. This is perfect when you need to photograph in low light or deliberately obliterate the moving themes without using a traibood.
Although A1 II is fast, it did not bring the generations leap that I expected compared to a four -year -old camera. My professional photographers (who already A1S) felt the same way and will not be promoted.
Photo quality
A1 II is not only fast, but also provides high accuracy, and this combination is why you pay a great Pacz. The pictures are more acute than any full -frame camera, except for Sony’s Sony’s Sony’s dynamic range, and the colors are accurate when photographing JPEGS, although I am the best warmer canon directly directly than the camera.
The new model has the same sensor as A1, but Sony has managed to boost a slightly dynamic range in the upper ISOS. As a result, you get the minimum noise that reaches about 6400 ISO and the images are very used in ISO 12,800. This is great for a 50 -megapixel camera, better than Canon’s EOS R5 II. Moreover, even the maximum ISO 32000 camera, noise begins to pay attention.
Raw files give the photographers a wide space to connect to the bottom of the most prominent or enhance details in the shadow areas. If you need the maximum dynamic domain group, you will need to photograph with unacceptable RAW format, as missing raw files lost significantly worse in very detailed images. The negative to the latter is that depicting their borders explodes into 20 frames per second and fills the memory card much faster.
Although the image quality is great, it is not an improvement in the A1. For a studio description and landscapes who appreciate the quality of the image above all and already own A1, it is possible that A1 II is not worth investing.
video
On paper, the A1 II is a video of the video, as it offers a recorder up to 8K 30 frames per second and 4K 60 FPS (up to 4K 120 FPS without sound), with a 10 -bit record. It comes with a new feature that allows you to download LUTS dedicated when photographing LOG (S-Log3), so that you can judge your exposure better. It also contains a setting that allows you to match better clips with professional Cinema cameras in Sony. This is in addition to the other improvements I already mentioned, such as the fully upgraded introductory and installation, which is also useful when recording the video.
8K video frame from Sony A1 II
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Automatic focus has been significantly improved with a more reliable tracking of moving themes, as it was found when filming a quick -motor football event. It also supports the same conditions that follow the topic available when taking pictures (eyes, faces, bodies, birds, animals and vehicles).
Looking closely, though, the video capabilities are somewhat disappointing. Unlike Nikon Z8 and Canon EOS R5 II cameras cheaper, A1 II does not provide internal registration, perhaps because CFEXPress holes cannot deal with the desired frequency range. It can make a big difference with video quality and the ability to adjust colors and levels when editing.
However, when recording a video record 8k or 4K 10 -bit at the highest data rates, image quality and dynamic extent are solid. The features of S-Log3 and 10 bits of creators are given a large space to adjust the shots in the low interior designs or a bright sunny day.
Installing the body may be the best I have seen in any camera yet. The visual situation does a great job to remove any hand tensions if it does not move too much. For walking or running, electronic installation (not available in 8K) provides near GOPRO, with no sudden tremors seen on other models. If you need to move the camera quickly, the inverted shits are usually not an issue. I saw nothing but distortion when shooting 8K video, and until then, it was the minimum.
conclusion
Steve Dent for Engadget
A1 II is a great camera and near the top of the food chain in terms of speed and strength. Almost each side is improved on the A1, including stability, body design and cars control.
However, the innovation that Sony Known for It lacks here, moreover, A1 II is very beloved. Taking into consideration, I think it is short. A1 II is only a moderate upgrade on the A1 and when it comes to the video, it fails to Nikon Z8 and Z9 as well as Sony R5 II.
If you already have A1, I don’t think A1 II offers enough additional to justify a new investment. Anyone who is more serious in the video should think either about Canon R5 II or Nikon Z8, both of which offer a high -quality RAW video at a price of up to 8K 60p for less money. However, for the serious professionals or amateurs who go to the A1 collection for the first time, who focus on the images and have no concerns about the price of $ 6500, Sony A1 II is a great choice.
This article was originally appeared on Engadget on https://www.engadget.com/cameras/sony-a1-ii-rereview-a-powerhousesse-camera-that-falls-falls-of-wn-on-wn- ON-on-in-150053430.html? SRC = RSS
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