All we know about Woe Hollow & Dieter EGAN

This post contains Spoilers For “Severance” Season 2, Episode 4, “Woe’s Hollow”.

In “Severance”, founder of Lumon Industries Kier Eagan Wlapping on the horizon above the cut floorAlthough the man has died long ago. Kiir’s name speaks with a reverence because Lomon is working on his basic values ​​and beliefs to this day and reformulates the ethics of the workplace through the lens of his teachings. Episode 4 of the second season of the presentation, entitled “Woe’s Hollow”, digging deeper in Kier Eagan Lore by revealing excerpts about his personal life of the Microdata team to improve (MDR) during the unusual outdoor decline. This picnic, which is called the Ortbo), completely changes the current situation between MDR Innies, which is Mark (Adam Scott), Hello (Britt Lower), Irving (John Turturo), and Dylan (Zach Cherry). Keep in mind that this is not an exercise on building a team in the tour, where the “Sacred” texts of Eagan lies in the tragedy center that swallows the MDR team, which will not be the same after the end of this episode.

After the four Innies MDR woke up near a snow forest, Mr. Milchick (Tramell Tillman) sent them at all in the first search to bring them in the open air. It begins to explain Ortbo’s goal: knowing more about the fourth attachment that mentions Kiir Egy, who mentions his twin brother, Dieter. This comes as a shock to everyone, as Dieter is not present in the official Eagan ratios that Lumon staff knows. The Dieter Ighan National Forest – the decline site – includes this fourth -shaped outright inside the scissors cave, where MDR must adventure and restore the aforementioned diaries. Once they get the memoirs of Kiir, we get to know Dieter the lost for a long time, and how the two traveled to a waterfall located on a shelf. This sloping paradise, Woe’s Hollow, hides inappropriate secrets about the Eagan heritage and raises confusing questions about the founding of Lumon.

Let’s be exposed to possible explanations for the strange Fireside story about Dieter Eagan, and the fourth annex of the mysterious Kier.

The episode plays in the exhibition’s continuous duo model by putting my husband every member of the MDR team as guides, who resemble the disputant Doppelgängers who refer to their fingers towards the scissors cave. The fourth appendix to Kiir claims that Dieter took him on a trip to Holus, where he imagined him in the woods together as a lukewarm and never returned home. Care (suddenly) describes his brother’s act of secret habit during this outing in individual verses, noting how he became a “nature tool” and “spin his lineage on the soil.” Milchick reads the rest of the story near a fire, sending how Kiir’s brother dissolved in a hideous way in front of him after this act, apparently punishing his “wonder” to become a “chaos”. It appears that a entity describes as a bride of Havon appears after Dieter’s death and confirms this hypothesis. Kier Dubs this woe entity, one of the four regions.

Now, it is natural for this strange, strange story to be confused, as it is, in fact, strange. Healy explodes in laughter, which led to the light of the funny hypothesis, while Irfing is seriously asking Milchick if Dieter is really present. Although Milchick insists that all Kier’s words are correct, Dieter is unlikely to be punished by some of the cosmic entity to border forest lands. This can be simply a metaphorical story that indicates the death of the changing ego (which extends to the concept of the cut self) or accepting the blocked killing that justifies it through fictional elements. Or perhaps, this an act It occurs as part of some of the surreal minds that Eagans had sharpened decades ago.

It is important to note that Kiir determines the hollow of Wii as the material area where he “faced” depths, which is part of his philosophical framework that helped in establishing Lumon. Kiir believed that humans consist of four tools-woe, exhausting, dread, and malice-and that by taming them, they can master restraint and even control the world.

But what does this mean in the context of the largest image in Lomon?

There are already extensive and accurate theories about the four seduction already exist, but the latest episode confirms that something darker in playing here is more than we imagined in the beginning. The Dieter incident in Woe’s Hollow can be a very painful event that causes sadness in the Kier, and appears as the Gaunt bride he faces there for the first time. Another temptation (terror, dread, and malice) should be manifested elsewhere along the line, where Kiir’s goal was to tame them – and he did so, As shown in the “four Terging” painting. Moreover, his basic guidance for every LUMON employee urging the same thing as well, as he wants to pass this “great and devoted power” to them.

I tend to believe that mood entities do not do that In reality Clear, but they are psychological structures used to help Lumon employees tame these four feelings so that they are “ready” for the next stage. This next stage can be created by completing the individual file of the cut employee, which, in the case of Mark, can be the Cold Harbor file referred to several times. It is also interesting that the temptation is also coded in the four categories of MDR file numbers:

• Wu Woe (green)

• FC For joy (yellow)

• doctor For awe (red)

• M For malice (blue)

Each binding group provokes its associated passion, and I think the MDR should “balance” the four by collecting them properly and completing their own files. This is associated with the disturbing nightmare of Erfing about the woe entity that chases it while the file numbers were spinning fateful on the Lumon computer. I also think that Irfing (Will) sorrow for his loss in Eni Bert (Christopher Walkin) is heavily played in events that lead to a permanent end apparently for the broken soul. After all, his addictive mind makes him very severe for everyone’s behavior, including Helena Egy, who was pretending to be Hili all the time.

Now that Irfing left, Helen had left as a rack, and MDR will never be the same. Things were never bleak, however When was “Severance” about the joys of existence?