One unwanted genius invented

When it comes to Slasher movies, the icons of the killer are often more important than the story. As long as the fans are given the opportunity to watch Michael Mays appear in him Captain Kerk drawn in white To slaughter anyone who objected to his way, no one is interested in trying to understand The irrational and complex timeline of the “Halloween” distinction. Even people who have never seen a horror movie in their lives can determine Jason Furis from “Friday 13” in the iconic hockey mask, or around the clock from “The Texas Chain Saw Massacre” even without his wonderful weapon. The appearance of the wicked evil in the hearts of the audience should be struck … but it should also be unforgettable enough to be marketing.

It is an accurate balance, not the easiest thing in the world. Jasson’s basic “sakhead” look at “FRIDAY The 13th Part II” Because JasonBecause when the design first appeared five years ago in “The Town that Sundown”, it did not reach the fans. (It was also not hit when the film got a twist supplement in 2014, because Slasher was only … a man in a bag mask). Even the “bad” mask “bad” still is still unforgettable (I still love you, the duel mask in “Urban Legend: Final Cut), but if you want to pack your killers a punch, she should contact experts.

One of the best in this work is Tony Gardner, whose design for the new Valentine’s Day “Heart Eyes” (Heart Eyes “)Read our review here) It is already welcomed as one of the best inclined villain designs in years. This should not be surprising, given that Gardner has one of the most impressive film rates for anyone working today in the field of makeup and special effects.

Before moving forward, it should be noted that Tony Gardner has a Wild The origin of the original. As discussed on Podcast body, blood and bones Participate in hosting his daughter, director Keira Gardner (What we met with her documentary “Live with Chouaki”The way Tony Gardner stormed the industry is no longer really exist. He grew up around Cleveland, Ohio, and became fascinated by special effects and creature designs. FaceHuggers and ET mask were made in its spare time, like some examples, before moving to Los Angeles to go to college. Once he arrived in Los Angeles, he decided to use his position as a student to bring him closer to his heroes such as Stephen Spielberg and the effects of the effects of Carlo Ramaldi and Rick Baker. He has arrived at The Universal Lot by directing a page from Spielberg by wearing clothes, appearing, and acting important, but the way Rick Baker met will put a person in a monitoring menu if it is repeated today.

The university student knew in a timely manner where Baker’s store was, so Gardner went to the city and looked at all the people called “Rick Baker” in the phone book, and they want to meet with him in a school project (that was not already exist). He finally found himself on Baker’s threshold, but he was out of the city, release a movie, so Gardner spoke to Baker’s father, and left him slices of amateur effects. Ultimately, Rick Baker Gardner called and agreed to conduct interviews with them. They spoke for hours and the interview became a conversation, but nothing really came from it. However, later in that summer after Gardner returned to Ohio between the semesters, Baker Gardner followed down and called to his family’s home to present a job on a music video group that requires a group of zombies. This way, Gardner knew whether this was the industry that it means. He agreed impatiently and was on a plane the day the next day to return to Los Angeles.

This music video was “Thiller” by Michael Jackson, the greatest music video of all time.

Listening to Tony Gardner discusses his career with his daughter Keira on their Pod will sometimes a surrealist matter because there is a modest offer to deliver projects such as “Return of the Living Dead”, “Army of Darkness”, “Hocus Pocus” and “Hell” Fest, ” Freaky, “The Addams Family,” Freaked and “The Blob”, “Zombieland” Films and “Chucky” privilege. Gardner is very essential for the latter, he even plays a fictional version of himself in the movie “Chucky Goes Psycho” in “Seed of Chucky”, and is killed on the screen by the doll he was working for for a decade. These titles alone are sufficient to put it in the situation of God, but Gardner’s work is not exclusive to the world of terror.

He also worked in movies such as “Honey I Children”, “Ace Ventura: When Nature”, “Happy Gilmore” and “Batman & Robin” call, not to mention the physical transformations offered in “Halow Hal” and “HairsPray”, “Films “Jagas”, and “monsters”. It is also a prolific production in the world of commercial ads, as it creates designs for cave men (and the subsequent TV program. I am sure that you have forgotten) and With the pleasure of Halloween, a strange snake It includes a rubber -faced woman in the grocery store.

But the person who always knocks me is to know that he helped create DAFT PUNK signing helmets, as well as the completely damned (free), for the “technological” music video (“Seed of Chucky” Animatronic was distinguished to give me, specifically more nightmares). Alterian Inc. It is as a pioneer in industry in the effects of artificial makeup, moving design, and the creation of Proper, not to mention the growing Slasher masks menu.

When it’s time to create a heart mask, Gardner and Brayr Kristensen took ideas from the film’s creative team and made everything in life. The visual welds and the outer ligaments arouse the mask of the style inspired by BDSM and The “The Collector”, with the choice of the fabric that he feels reminds us of Dr. Decker in “Nightbreed”, is tanned meat from Leatherface, and yes, even Sackhead Jason. It is an incredibly classic approach to a mask, but it is injected with contemporary icons of the eyes of the heart, emojis, brightly glowing to stir the fateful threat from red lighting or focus on attention such as the Tix Aphier wolf admired from afar. The eyes are also dedicated, which provides murderers with the advantage of night vision, which is the most gender that he previously taken by Buffalo Bell in “Silence of Lambs”.

Of course, the mouth is carved in the smile of Glasgow, which is a hideous development on the global acceptable offer of happiness. Completely together, the eye mask is really unforgettable. during A recent reddit amaThe director of “Heart Eyes” Josh Robin talked about the cooperative effort that entered the design of the mask, between the Gardner, Christensen, and the team in Alterian turning into a tangible reality, to the VFX team in New Zealand led by Stef Knight who presented the vaseline shine application to the mask so that even in the dark, “The slightest light is captured and broken in sweat -like.”

When looking at the “Eyes of the Heart” mask, we don’t only see a wonderful evil, we see the culmination of more than 40 years of experience and the history of horror that was brought to one design through creative cooperation, led by an industry of genius.

“Eyes of the Heart” are now playing in theaters everywhere.