The golden rush of 1849 has escaped from the eastern part of the United States and heading west to search for easy money, outside the ground. No many lands that the Americans infiltrate by any kind of widely recognized law, and the luxury that was somewhat hurriedly formed their infrastructure while they were. Forms a fully new world: the wild West.
The American imagination book told stories about the “great American borders” early in the 1920s (some bibliopolis may be familiar with James Venimor Cooper’s works), but the Western literary type began to explode in the late 1950s and sixties of the nineteenth century. The pulp novels began to spread throughout the country, and “Penny Dredfuls” invented many symbols and motifs that we see in Westerners to this day: arms fishermen, reward fishermen, attempted, etc. The legendary – through these garbage books. Many stories from the aforementioned Westerners made their way to the stage in the book of arms shows.
Some of the first films of Western traditions acquired the pulp, and this type made happy marriage with the new means. One of the first Westerners was released, “Annie Oakli”, which is 90 seconds long, in 1894. For decades, Westerners were the type of climb throughout Hollywood, where film makers could transfer camera equipment to the California deserts and shoot cheap fire . It was legendary and inexpensive at the same time.
By the late fifties of the last century, Westerners eventually began to fade in popularity In the United States, but by that time, a new generation of directors arose to them. In particular, many Italian directors have closed this type, and they re -interpreted them in a remarkable new Italian style. The new Italian Westerners of the 1960s were called “Western Spaghetti”, which was called the name of the well -known Italian pasta.
Who formulated the term “Western spaghetti?”
Therefore, no, for those who have always been a little baffled by the term, “Westerners on spaghetti” do not have scenes of the characters dealing with spaghetti. The term was just taking a stereotype of the Italian people – that they had a lot of spaghetti in their diets – and its application to the films made by Italian directors.
The oldest and most prominent Western pasta was managed by Sergio Leon, who directed the “Grinkle of the Dollar” in 1964. It was a shameful torn for the samurai movie by Akira Corosaoa, “Yojimbo”, “ The Japanese director actually took Lyon to court about the matter (Won Corusawa). The “Grift of dollars” was a global success, and it reached a new wave of Westerners for a better part of the contract. Lyon will turn himself “Fistful” into an unofficial trilogy with Eastwood followers in the Eastwood Championship “for a few more dollars” in 1965 and “The Good, The Bad, and the Ugly” in 1966. And the title “Duck, you are a lollipop! “In 1971.
According to some of the special features on “Fistful of Dollars” Blu-Ray, the term “Spagheti Western” was invented by a Spanish movie critic called Alfonso Sánchez, who was commendly associated with the Italian cuisine with a rising movie direction. The term is stuck, and we have used it since then. It should be noted that many Italian films managers did not like the term, and they felt that it was a little abbreviation and abuser.
Many prominent Italian Westerners were manufactured through Cinecittà studios, based in Rome, but films referred to as Westerners across Europe, including in Spain and Greece, were funded by various international studios. Several deserts were shot in Spain. Therefore, not everything that the Americans indicate as a western Italian pasta necessarily.
What are the distinctive features of Western spaghetti?
What does it mean to be the west of the spaghetti? Lyon’s aesthetic options are dictated by a “fist of dollars”, as the spaghetic Westerners are rising, and the most out of the 1940s. Colors tend to be more saturated, faster editing. Camera corners are either wide, or in the nose heating of weapons. The actors are converted to cartoons from Western models. One can also see the performance of Clint Eastwood in Leon’s films, the heroes tend to be anti -heroes. There are no traditional “white hats” in spaghetti western, because the heroes are not completely good people. In terms of their soul, Spaghetti Westerners share no more than the movie Noir than the traditional American Westerners.
Also, the Western masses loved spaghetti because of their violence. Hays – which was established in the 1930s – has become increasing, and European managers, who were never filled with symbol in the first place, began to ignore it seriously. Suddenly, the deaths were more painful, brutal and dramatic.
The decorations and beauty of spaghetti western spread widely throughout the 1960s and 1970s, and effectively dismantled the ancient Trops of the West before the 1950s. Other prominent films in this type include Sergio Corbucci in 1966 “Django” starring Franco Nero. “Django” produced many sequences and mixing, some of which also starred Nero. Some Italian Westerners had fun titles, such as “Today we are killing today … tomorrow we die!” , “Blood in 1965” for the silver dollar, ”“ Death Rides A Horble ”,“ God God ”in 1967, and“ God Symear ”in the same year .. I am no!”
The spaghetti west eventually began the end, and died in the late 1970s or eighties. The direction cannot last forever.
In the event that you are not able to know that, some contemporary directors love spaghetti Westerners, and they re -present their positions and beauty to the modern audience. Takashi Mike made “Sukiyaki Western Django” in 2007, and Django Unchained in 2012. The spirit of violence, we can see, live happily.
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