On the verge of becoming the Andy Kaufman of our generation, Neil Breen should be in his right mind for his next film

by Robert Scocchi
| Published 13 seconds ago

Of all the filmmakers known for their impressive levels of cinematic ineptitude, Neil Breen is the last leader. Prine proudly proclaims that he writes, produces, directs, stars, edits, and even serves his films, bringing the kind of chaotic energy that Tommy Wiseau had before he became too self-conscious. Wiseau famously recanted a 2003 allegation The room It was always intended to be a black comedy, but his later works lost the charm that came from the unintentional humor of his debut.

Neil Prine, on the other hand, is a different breed. He is aware of the criticism surrounding his six films but doesn’t seem to care. If he is self-aware, he commits to the thing with an almost spiritual level of devotion. If he is sincere, his earnestness is absolutely captivating.

I still don’t know if Brain was in on the joke or simply proud of being the joke. Neither do most of his fans. What I do know is that Neil Breen recently posted a vaguely threatening X-shaped message announcing his next movie, and I hope it’s another beautiful disaster for us Brainiacs to celebrate.

Brienne VII movie

“I have just completed my new independent theatrical film. I have submitted it to several film festivals for consideration. It is a mystery, drama and action film. It is my seventh independent film as a producer, writer, director and actor. I self-finance my films. No website yet. Follow”

Prine self-finances his projects, apparently for bragging rights, and selects them through Craigslist. In each of his six films, the characters he plays are god-like figures with precognitive powers and supernatural powers.

It’s as if each film is a wish fulfillment, shot using whatever cameras or software are available to it. Having made a small fortune as an architect, Prine has complete creative control, presenting himself as tragic heroes and world-saviors, or both, in each of his films.

As his career continued, Breen went from humble, practical settings to full-blown CGI fever dreams, in which he fights tigers while an evil version of himself wears a mismatched goatee for clarity. Each new film raises the stakes of absurdity, with action sequences that feel like the work of a first-year film student trying out Blender for the first time.

Unaware or self-aware?

Double downNeil Prine’s 2005 debut, follows a loner and super hacker who drives around with satellite dishes strapped to his car, eating tuna straight from the can while plotting germ warfare. His motives? The death of his wife, which we witness in flashback, is sniped moments before he is seen floating his ass off, cradling her floating corpse in the pool.

From there, Breen’s plots escalate with… I am here…now, Fateful results, Pass through, Twisted pairAnd you follow him, Kidd: The torturer’s crossing. Through it all, Neil Prine positions himself as a god among humans, able to save or destroy the planet at will.

He can break into a Ferrari with a flip phone. He owns special rocks that treat cancer. He even has a section on his website dedicated to showcasing his work Personal cars Which we see in his films.

Breen never figured out how to make the show without resorting to voice-over monologues layered over stock footage. His characters flatly say things like “I can’t believe you killed yourself” in scenes meant to convey sadness, and somehow, he manages to act worse with each film. Watching its development is like watching the laws of filmmaking collapse in real time.

The most puzzling evidence of Prine’s artistic intent comes from his nearly six-hour 2020 film 5 feature film retrospective. In which he lectures on the importance of lighting and sound design while standing in poorly lit rooms with echoing sound. At this point, it’s impossible to know if he’s the Andy Kaufman of our generation or just so delusional that he truly believes he’s God’s gift to cinema.

How hard will it be for Brian to go next?

Aside from its September 25, 2025 announcement, little is known about Prine’s seventh film. Since there’s no official website or title, it’s unclear if he’ll return to real-world locations or appear on full green screen again. What’s certain is that every Neil Breen film finds a new way to raise the stakes in chaotic brilliance, and hopefully everything that comes after will be no exception.

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