Review “TON: ARES”: Maybe the best movie “Tron” ever

A decade and a half has passed since the masses visited the network. All this changes on Friday, when You see: Ares Hits theaters. Film stars Garid Lito As a program called Ares, who is sent on a task to the real world that ends with changing its programs, the fabric of the digital world and the future of humanity.

It is a sound mutation for science fiction. Voice and visual scene is worth watching on the largest possible screen. I am not out when I say TON: Ares is the best Tron movie. With elegance and story notes remind us of the matrix, Blade and Terminator, Tron: Ares does not re -invent the wheel. It is not really necessary.

The last time we entered the digital world of Kevin Flynn 2010 tron: legacy. This sequel came 28 years after the original TON movie, starring Jeff Bridges in the role of Flynn, a revolution in the use of special effects in cinema. However, the return of the Neon to the world of TON, with the expansion of some major details within the story of the story, fell with the masses, and the scheme never drew daylight.

What is the 15 -year difference can happen.

It does not take much in TON: ARES, and you do not need to be aware of the events that occurred in previous films. An enforced sequence at the beginning of the movie, which includes news reports, which exposes the audience to speed in the past events and the current drama that reveals within the world of technology.

Two technology giants, Dillinger Systems, run by Egomaniacal Julian Dillinger (Evan Peters), and the leadership of the torment that was tortured, but Eve Kim (GRTA Lee), in a hot AI’s arms race, if it is permissible to speak. Searching for a specific line of software instructions is what sends Ares to the real world to start.

Like the original TON, this story that starts slightly spreads during the two -hour operating period, which puts a somewhat shallow plot. Like the original, Ares is full of visuals that drop the jaw and the amazing effects that, in any case, made the lack of attendance.

An important reason for this is the emotional risks that form the foundation of the film. We discovered early on that on the eve of its goal while dealing with sadness due to the loss of a member of his family. Ares, like Tron: Legacy’s Quorra (Olivia Wilde) in front of him, is a program with an unrestricted curiosity about existence outside the network. The duo ends in the collision cycle, which is dynamic and its chemistry is what helps to carry things, even through the parts where the plot is not present.

I am mostly familiar with Lee as a comedian, but she has proven that she could hold her as a dramatic leader here. TON: ARES is a display of strong female characters, where Lee leads the charge alongside Judy Turner Smith (huge like Athens) and Jellyan Anderson, who, although she is not shameful, raises the character of Elysabeth Delleger to a person with attractiveness and grace.

As Ares, Lito accomplishes the task. Ivan Peters and Jeff Bridges, who make a veil again in this sequel in the name of Flynn. Each of them, though, embodies a personality that lacks depth. The bridges can get away with it – Flynn is a legend in TON Canon, and after four decades, I can forgive him appear in a robe and do the best of his elderly Gidi Steak.

Ares and Dillinger feels that they are specially designed to move the story forward. Each of them lacks the real depth that would make the viewer hold or care about what they do. Without Lee and Turner-Smith to play against, the Leto performance is likely to be flat.

All this may be like deals for other cinema pioneers, but thanks to the special effects and the penetration of the sound tape provided by Nine Inch Nails, Tron: Ares has never felt he lost a step with me. Yes, I am speaking as a middle-aged man-which is important to note, as there was several times by watching the movie I felt from jealousy to all children who will enjoy the games that will be released definitely as a link to the film.

In fact, every vehicle was presented at TON: I was left with I was feeling a sign, as if I was also getting the Transformers that I always wanted. Here, there are network aircraft, network boats, network tank, as you were probably SeenA huge identifier that violates the real world and is really a scene.

Nostalgia plays an important role here, with many gestures to the original, including a major sequence that made me applaud the screen.

TON: ARES offers many ideas of high concept, but it fails to explore them in any real depth. Artificial intelligence in the forefront here. Sadness, action, deaths, our relationship, our dependence on technology and artificial intelligence capabilities for good – which is something that I rarely see in movies – all are here. But like a plot, there is not much essence under the shiny crust.

If the end of the movie is any significance, this may be according to the design. Maybe you see: Ares is Disney’s attempt to restart this iconic concession. Ideas are presented and the film is closed on two two -fissure Cliffharger which, if the box office justifies it, it may lead to more Tron. Here in the hope that the next one is not ashamed, if we get the next one.

This is the most enjoyable Tron movie, The Bunch, and it is a motor splendor of light and sound. My inner child satiated and made me excited to see again. It may just be the poor Disney needs at the present time. This is what I need, so I have no complaints.