See: Review of Aris: Revoning continuation

Watch the new cyber excitement movie by Joachim Roning. The third feature of “TON” 43 years ago – I found myself wondering how everything was supposed to do. In the world of “TON”, humans write computer programs, but these programs actually appear as deep human organisms within a separate electrical dimension. Not only does the programs have a free will, but they have a complete theology, and their programmers – their users – are worshiped as gods. The ethics of creating and deleting smart digital slaves randomly was the subject of Joseph Kosinski “Trone: Legacy” for the year 2010, which is a very cool movie, but it does not deepen enough in its moral and theological topics. Frankenstein has been a warning that your creativity would become monsters.

In the original “Tron” of Stephen Lespherger, it was presented that the specialized laser can convert human beings into power patterns and enter them into the electric dimension – the network – where they appear as programs. It is surprising that we believe that the 1982 hard disk was developed enough to contain a complete human awareness. This is a lot of terabyte. Laser can also return humans to their fever.

“TON: ARES” features a computer safety program called ARes (Jared Lito), which can be shown in the real world through a very sophisticated 3D printer. It looks like meat and blood, but it is possible that it is made of a type of plastic. 3D printers can also appear complex motorcycles, cars, tanks, angelic wings, and a pole, and all the machines that seem to have an infinite energy source, and can create walls with a length of mile and height of six feet in their wake during their speed across the streets and sky of a modern human city.

And if you are sitting there, wondering what the skin of Jarrid Lito is formed, or how the cybersecurity can provide itself with energy, it is clear that I am not associated with any story that the movie “TON: Ares” is trying to tell it. This movie is very bad

“You see: Ares” is all a conspiracy, not a heart. Almost every scene is filled with illustrations, where the characters explain themselves, explain what they do in that room, and explain the reason for their need for this or that laser gun. I appreciate clarity in movies, but this is just a step online that goes beyond the limits. Ivan Peters plays the role of Julian Delinger, grandson David Warner’s character From the movie “TON” in 1982, Laser has invented a miracle that can, as we mentioned, is three -dimensional printing for Android people artificially, as well as war vehicles of a full -powered tank, within minutes. It aims to sell technology to weapons manufacturers, showing an amazing lack of imagination. If the laser is able to create a high -tech and high -tech vehicle within minutes, with a little energy drain on what is apparently and without waste, the world’s travel infrastructure will be taken care of forever.

Delinger loves to print his main security program, Ares, to boast about it in illustrations. The only problem is that the items that Dillinger lasts for only 29 minutes before they crumble to dust. It requires a legendary permanence symbol to make the printed elements last forever. Fortunately for his luck, an old commercial competition called Yves Kim (Gretta Lee, whose talents) were lost to find such a symbol, which is located deeply in Kevin Flynn computers, Jeff Bridges from the original movie “Tron”. EVE Kim is the thinner character that has been seen in popular films since the F1 movie, where she does not have any character that goes beyond mourning pain on her recently deceased sister. “Lee” is an accurate and intense actor, but Kim is a personality. Like many other people in “TON: ARES”, it is burdened by explaining to the public what is happening from one scene to another.

When EVE found a code of working hours, she revealed that she could make live fruit suitable to use it. If this is a permanent possibility, then why does anyone mess with the manufacture of weapons? This device can literally create people who are previously programmed from nothing, as well as solving the problem of hunger in the world. This is a machine that can rid the world of destitution, money and scarcity. It would herald a new era for humanity. But the characters in “TON: ARES”, despite their excessive explanation of the plot, never stopped commenting on the large invention. Instead, they print human slaves and send them at tasks to bring a motorcycle to restore MacGufins. There are many exciting science fiction ideas in “TON: ARES” that filmmakers are not interested in exploring at all.

Jared Lito has also proven to be a pioneering man less than excellent. Ares is a living computer program, and he only had a little direct contact with humanity, and he only gets information through a psychological survey of each computer everywhere. He is capable and violent, but childish and naive. There is a nice scene at the end of the movie, as Ares admits that his love for Depeche Mode cannot be summarized by words. Ares needs to be cruel and authentic, but he has a slight spark, and he flashing in his eye to assure viewers that he carries some humanity in his depths. Litho cannot show that spark, that wing of humor. As such, Ares is not an interesting and charming action character. It is not Brent Spinner.

His motives are mysterious. He yearns for a code, but when his printed Avatar is destroyed in the real world, his consciousness returns to the computer. He did not mention that he prefers not to be a servant anymore until late in the movie. Perhaps this should have come earlier.

Other actors are wasted as well. Gillian Anderson plays a beautiful role as Delinger’s mother, who only exists to warn that he has exceeded the boundaries. Arturo Castro plays the “comedian” friend of Yves Kim, but it seems only exist to give Yves a person to explain things to him. Judy Tourner Smith has benefited better in the role of Athens, another security program that is regularly brought to the real world, which is led by its aggression and cold dedication to the task she is doing.

Just as the movie “TON: Legacy” boasted. A historical and unique result of DAft Punk“TON: ARES” gets a great deal of auditory distance from the electronic density of Nine Inch Nails. The result is great in the void, and musically describes a more complex and interesting movie than the movie we are watching. One can buy the audio recording of “TON: ARES” and benefit from it more than watching the movie itself.

After that, in addition to distracting my attention with the non -practical “Tree” physics, and not fully fascinated by the performance of Lito, I started to wonder without success what we are still doing here. “TON” was released in 1982, when computers were indescribable Byzantine machines. The general public did not know how these devices were working well, so we can also imagine young people living inside, arranged in a small society. To expand the scope of this idea, if a 1982 computer can absorb an entire society, how many people can you hold in your Apple Watch? In 2025, computers became more powerful, and dealing with their (positive and negative) capabilities became a real concern. Will we be able to address the correct technological questions and fears using a modern complement to an exciting cycle film released 43 years ago? Perhaps it was possible to explore interesting themes in the movie “TON”, but “TON: Ares” is not.

/ Film evaluation: 4 out of 10

“TON: ARES” will be shown in theaters on October 10, 2025.