Bob Odinkirk insisted on this big note of one 2

In the movie “No One 2”, directed by Timo Tjahjao, Bob Odincrick returns to the role of Hatch, a trapped husband and father who tries – without success – a balance – a balance between his dull home life and his daily function as a deadly killer and a high training coach. He swears to his wife, Becca (Kony Nielsen), that he will return to the house in time for dinner, but he usually delays stabbing wealthy drug dealers with butter knives. Both Hutch and BecCA are somewhat afraid of violence that HUTCH can do. It is clear that he has a great deal of internal anger, and heching is afraid that its fatal motives may be unexpected.

The plot of this second part includes a hatesh attempt to take his family on vacation to a dilapidated entertainment park (he loved him when he was a child), to discover that the garden had been overlooked before Super criminal mind (Sharon Stone). The first Hutch overview of the darkness of the city comes when his children play (Gage Munroe, Paisley Cadorath) in a local video hall and face some of the bullies. There is a short fight that led to the expulsion of the entire family from the corridors. While they registered, one of the arcade managers, in a bustle of unjustified bullying, hit the little daughter of Hatch on the back of her head. Hatch is angry and the audience can see his blood begins to boil. HUTCH announced on the sidewalk that it needs for a short period to re -enter the corridors to restore its wallet. However, we know that it returns to the corridors to do violent bloody reprisals.

HUTCH will spend the largest part of the 89 -minute movie screening of chaos and murders. It is a simple, but very fun movie.

Odinakirk talked about that moment In a recent interview with ColliderAnd he recalls that he wanted to reduce the importance of the arcade scene – specifically the moment he sees Hatsh his daughter being beaten – as much as possible. It should be accidental. Hence, when the cage is “broken”, it seems more dramatic.

There was a way to photograph and edit the amazing moment to get the maximum dramatic effect of course. The film makers could have included close -up footage of the angry Hatch eyes, or a slow -moving snapshot of the corridor, hitting the little girl. However, Odinkirk knew that the scene would be better if the moment is normal and was not placed in the middle of the frame. If this moment is intended to cause violent Hatch, you will be more shocking and bear more weight if it stems from a short moment almost not recognized. Even the halls should be surprised when he forced him a short and short violence against his family to become an eye castle. In the words of Odincrick:

“It seems as if the man is not even thinking. (…) Like, Oh, why did you do that? This is terrible, what she did. He is big. that it huge. It is a huge movement, and it is one of the things that can happen to you in the world … you have to eat. But in the movie, you don’t have to do this. “

In fact, this moment is a violent imagination of antiseptic to anyone from the public who suffered a slight blow, or he witnessed a member of his family to a light blow. We may be angry at such moments, but we do not have anger – or enough strength – to brutally strike the perpetrator. The movie “No Nobody 2” allowed Hacht to cinematic and symbolic revenge against the world.

And Odinakirk right. The moment of the small attack that seems transverse will already become huge when compared to the Hatch reaction to it. It makes “no one” hair more dramatic.