Tron’s Creator believes that the original Disney movie has become a very single mistake

Per Lisberger, is supposed to be any part of technology, including artificial intelligence, a mirror for us, how can it be manifested in the future in our hands. He describes it as a relationship between parents and the child, where we, the creators of the aforementioned technology, need to take over the role of the responsible adult, as our behavior will be simulated and built by a algorithm that grows constantly. “So the question is, with regard to Amnesty International, who will be the adult in this relationship? Because I look at the world and have a longing for the position of more adults, especially in America these days,” will Make the mistakes. The goal is not to replace or simulate human ingenuity, But to use technological tools to increase what is already in the technical process.

“TON” has a relatively simplifying space on the live internet space, as Rogue rejects users and establishes its tyranny within the network. With the arrival of users, this current situation is destroyed, and the opposite programs with Flynn and Co. , With Tron (the changing digital ego) that leads its efforts to liberate the popular programs and eliminate the damaged MCP.

This is closer to cleansing the virus that affects the system and prevents programs from carrying out its intended function – only this time, the injured program helps by fighting to eliminate corruption. There is a beloved magic for this concept, as “TON” looks at technology as a friend, where its aspects of courage and power of friendship can be faced. It fails in the factors in human arrogance or foolishness, while following a more ideal approach for any conflicts that may arise.

“TON: Legacy” is more accurate in its approach to the new electronic space, such as the rogue AI that governs, Clu (bridges), is a replica of Flynn. It is not only like Clu Flynn, but it also inflates his worst pulse, which appears in the form of betrayal, control, and a particularly amplified feeling. His maker, Flynn, is struggling with his own borders throughout the film, including his inability to confront his son Sam (Garrett Heidlund), who inherits unintentionally. This time, the threat is comfortable: Chloe plans to go to the real world, because he wants to afflict everything, seize the world of users, and turns the current situation in his favor. “TON: Legacy” realizes the risk of uninterrupted human aspiration, as Flynn’s failures as influential and forming the worst motivation in Chloe, his digital mirror.