One battle after another and sinners have an important common thing

This article contains Spoilers For “one battle after another.”

“One battle after another” It takes a lot, a lot of freedoms with “Vineland”, Thomas Pynchon book That inspired him. However, it maintains some central elements of the novel, such as the initial shift in revolutionary ideas and government administrations that crush the resistance.

Pynchon explains how Nixon’s policy and federal overlap may sabotage anti -culture movements in the 1960s, only for the widespread and capitalist consumerism of Reagan’s era to replace any residues of the “1960s” spiritual spirit. “One battle after another” keeps some of it, but it is easier to miss the first time.

This is because the migrant detention group in the film, the revolutionary group that makes offices, separates French 75 as soon as they are presented. We see its members issuing noisy data and editing migrants in a detention center, but they are betrayed shortly after a period and most of them are executed. As a result, the movie can initially read as a satire that depicts more revolutionary groups than angry children screaming in institutions and throwing explosive anger attacks.

When jumping forward to the present time, the film then presents Sergio St. Carlos Benicio Del Toro, a Karate teacher and community leader. A gentle and calm man who undoubtedly did not like the white outstanding people who live in the town of Baktan Kroos, he will leave Sergio alone because he does not cause a problem or even raises his voice. But there is more than what the eye sees. As you can see, Sergio has a “Latin Harrite Tobman’s situation”, and it offers migrants a safe and safe passage through the city through a series of tunnels.

Sergio and his allies are the greatest heroes “one battle after another”, although it is not in the movie for a long time. In this way, the resistance group remembers the Chocrate Vampire hunters in the “sinners”, who appear for five minutes, make an unforgettable impression, then leave immediately, cannot be seen again.

Sergio is a large peripheral figure in a story Leonardo DiCaprio ridiculous and joyful Bob Ferguson In “one battle after another.” It appears long enough to reveal a much larger story that occurs outside the screen, then leaves. (The fact that Anderson does not include another scene with Sergio after his arrest is a tragedy.

This is also an ideal example for building the world. It expands the story and preparing “sinners” in ways indicating the audience that there are countless events that happen elsewhere, in addition to the characters and history that we did not realize. The inserts of Chochatws also helps in “sinners” in a better historical context by referring to the history of real life to resist indigenous Americans of white sovereignty.

Now, while Sergio’s role in “One Battle after Other” is more essential than the role of Chaayton (Nathaniel Arkand) and vampire fishermen in Chocrate in “Singer”, it still serves a similar purpose in expanding the scope and scope of the movie, and providing a very cold and unforgettable character, so that it is in line with the real world’s gear. After all, there are many examples of Latin and Latin societies in the United States that perform solidarity and resistance against anti -immigration, and the Latin anti -wave has spread throughout the country and the horrors committed by the current regime. It may not be joyful, but it is still important and effective.

Sergio is also the key to “one battle after another”. It represents the shape of the resistance in 2025, and it is a time when freedom of assembly is attacked, and any attempt to a peaceful protest was met with violent repression by the regime forces. Sergio’s forces are not trying to escalate things, as they know that this will lead to greater attacks on their community. Instead, they work quietly under the nose of the authorities. This is how Anderson adapts to an important idea from the book Pynchon, meaning that the revolution continues with every new generation, even as governments continue to try to get rid of it. The French have been sabotaged 75, infiltration, and betrayal, but her soul lives.

Even if one argues that “one battle after another” seems to put a quieter and more directed activity to society higher than the violent resistance of the French 75, the film is unambiguously aware of how to inspire other violent resistance. Sergio does not help exit (until he infiltrates him from the hospital after his arrest) because he knows his daughter Karate. Sergio is particularly inspired to help Bob because he is a former French member 75, and “How many times do you get 75 escape help?”

No, we do not need a cross show on Sergio, just as we don’t really need “guilty” about Chochaw. But the fact that both of them have sparked strong reactions from the masses talking about the effectiveness of their roles in the films of each of them. And “and” “One battle after another” made a smaller splash at the box office more than “sinners”It is a kind of films that adhere to the masses after a long period of seeing it.

“Battle after another” is now playing in theaters.