Kathryn Bijelow War Warner will give you anxiety

Catherine Beglo returned. The director is behind the prior approval of the octane science (prior approvalAnd an uninterrupted love story“Point break,” Y2K excitement y2k “strange days”, Osama bin Laden’s movie “Zero Dark Thirty”, and more, has not been a feature for nearly a decade, but with her new “Dynamite” new movie, it reminds us that she is one of the best. While Bijelow movies have their critics (many assumed a problem with how “Zero Dark Thirty” seems to be undoubtedly adopting that the narration spoon fed by film makers by CIA), it is clear that it has a unique understanding of creating increased tension. It is very skilled, and with this new movie in Netflix, things are largely raised to create a seized narration to give viewers a panic.

It seems that we are retreating when it comes to nuclear war concerns. In the fifties and sixties of the last century, the threat on the horizon was widespread nuclear annihilation; A strange fact of life is reflected in ducks, cover and excess repercussions. However, after the Cold War, the nuclear war looked like a problem that we had resolved, or at least we moved from it. Recently, although the world becomes More attractiveThe fears of extermination have infiltrated public awareness (I bet you can clearly remember the terrifying moment for a short time in 2018 when Word has been a lie that a pious ballistic missile is heading towards Hawaii). Christopher Nolan, the last Oscar winner “Obenheimer” These concerns have restored the introduction, ending in a horrific observation indicating that it soon or later, we will explode ourselves to Smitherens.

With “A House of Dynamite”, Bigelow, who works with the screenwriter Noah Oppenheim, collected a narration around the time clock that clearly states that in the end, regardless of what we do, the fact that nuclear weapons exist at all means that we will finally use them and end the world. Everyone in this movie does what they think about is the right thing, but it seems that the dark movie message is that when it comes to the nuclear war, there is there He is No “the right thing”. Every step we take another step towards the end of the world is inevitable.

“Dinamite’s house” is shown like a selection movie, which is the same story from three different views. This story includes a mysterious nuclear missile that was vibrant to the United States without warning. Nobody knows who fired the missile or why, but there are a lot of theories, and there is nearly certainty that the weapon will affect Chicago if anyone can stop it in time.

BIGELOW puts the theater by presenting a group of characters that revolve around what they assume will be just another ordinary day. Our introduction in this world is the leader of Rebeca Ferguson Olivia Walker, who works in the White House room and deals with a sick child. Her son’s illness will soon be the least concern, and the film uses a similar approach to other characters: we meet them because they are concerned about things He thinks It is important, like their troubled career or imminent births for their children. Then in the blink of an eye, all these things fall into the background as the potential death waves on the horizon.

The text of Obenheim continues to cover the same mass of time: the 19 minutes or so before the moment in which Nuke is appointed to make an effect. When the watch runs out, the film suddenly returns to the retreat, and it retreats to show us another group of characters that wrestle with the same schedule. It is effective and crowded with nerves, because the checkpoints through the dialogue begin to appear and become conditional on what will inevitably come after that. In addition to Ferguson’s living room expert, we also spend time with a year with Trissy Litts) who urges revenge, the Undersecretary of the National Security Agency (Greta Lee) called on her vacation day, and the deputy of the National Security Adviser (Gabriel Basso) who is trying to find a solution not to kill everyone, and of course, the President of the United States (Idris Elba) who takes the decision.

The “Dynamite House” moves through these and other characters, such as bad winds, which are indispensable and inevitable. The topic that has been placed at home over and over again is that even when these people do everything correctly and following strict procedures, their destinies seem sealed. “This is madness!” Potus ears from Elba at some point, just to reply letts to respond: “This is a fact.” The message is very clear: the moment when humanity has advanced and developed nuclear weapons, we developed a series of events that will inevitably lead to our end. We may have avoided nuclear war several decades ago, but the “Dynamite” wants to remind us that in the end, someone will press a button and there will be nothing again again.

These are Crackerjack’s things, with the adoption of BIGELOW and the Barry Ackroyd cinematography with a documentary feeling with portable cameras drifting inside and outside the conversations with the transfer of characters from an inexplicable war room to another. You will definitely be excited and disturbed by all of this. This is really a good movie. However, the “dynamite” house also reaches a very strange time in American history.

While Obenheim’s text appears to avoid deliberately politics, watching a movie now as the United States government is run by qualified and thoughtful people, well … like science fiction. This is not the director’s mistake, of course, but since the characters on the screen are struggling with how to respond to such a terrible situation, I could only think about how their counterparts in real life behave. While the players in the “Dynamite” are professionals, the current government runs it Allegedand Television personalities, and podcaster. One of the characters in the film is the sympathetic defense minister that Jared Harris played with the heirs, however, on the day the “Dynamite” was shown, gave real defense minister a Rhetoric This included how the army generals want to be fat anymore. How can one reconcile the intellectual characters of “Dynamite” with something like this? The separate separation is separated that I found distraction in ways that made the movie harm. Perhaps this is the reason why Stanley Cubrick’s “Dr. Strangelov” movie will always be the final nuclear war movie, as Kubrick was smart enough to fill the image in Buffon Buffon Flower heading to perishing to all of us.

Maybe I think about things. Perhaps the “Dynamite” is not intended to reflect our current moment, but rather a scenario that can happen at any time, under any administration. Perhaps the film will feel different if we reconsider it within a few years when the qualified people are responsible (if we do not explode ourselves before that, that is). Maybe not.

But these issues are aside, “Dynamite” provides his promise to create anxious and anxious anxiety and adhere to you. When the movie reached the last work, I found myself literally forward in my theater seat to rely on the seat in front of me because sitting no longer feels like a choice. Bigelow also pulls some wonderful and realistic offers from its crew. Potus of Elba is surely not sure what it should do after that, and I was particularly affected by Jabriel Basu as the deputy of the Driven National Security Adviser stood to request temperature in the temperature (it is irony that political ties in the real world are declining Ron Howard, “Elegy”, is not a common).

The last moments of “Dynamite” may leave some viewers disappointed, and I have to admit that I was not completely sure of the conclusion when the credits began to roll. But the more I sat with the film, the more you feel that there was no other way for Piglo and Wofheim to close things. There is no easy solution that can be found here, simply because there is no easy solution to the nuclear problem that we created foolishly for ourselves. The official description of the film is briefly summarized: “Not if.

/Film classification: 8 out of 10

The “Dynamite” will open in specific theaters on October 10, before flowing globally on Netflix on October 24, 2025.