Daniel Die Lewis’s return is a behavior throughout the ages

What kind of man leaves behind his pregnant wife, walking in the forest, and subjecting himself to the life of isolation with a little contact with the outside world? “Anemeone”, the first appearance of Ronan Day Lewis “as a director and the official return of his father, Daniel Day Lewis, implicitly asks this question early in his opening scene and spends the rest We would like to keep the universe. We need to believe it Something It is in control – whether it is God, nature or just a cosmic sense of justice – and that there is a final purpose of the actions we take. Otherwise, we risk overcoming life not bound alone, in the whims of any powers that seem to be like a prior path.

This may seem to be a large group of jaws or philosophical nonsense (as you know, this type specifically for the crowds of the Film Festival), but “the brackets” challenges any stickers that anyone will try to. Well, mostly. It is definitely an advantage for the first time in defining the dictionary for this phrase, for the better and worse, focusing on the amazing atmosphere and images and a tendency to express on any actual conspiracy. With both the father and the son they deal with the duties of common writing, a lot of narration feels the reverse engineering for an explicit purpose of giving The return of adults from retirement from semi -retirement It is worth admission price. What they landed is a poem of a tone of brotherhood, regret, and the sessions of violence between generations with an irresistible hook that includes the most famous living actor.

The Elder Day-Lewis plays the role of Ray Stocker, a hermit concerned who lives alone in northern England forests for more than 15 years … and away from the escalating problems of his wife and son. When the young soldier Brian (Samuel in Butully) wanders in a bloody battle too much and corrects, he was in an army for the safety of the house, his mother concerned (Samantha Morton) finally arrives at the end of her rope. Jim (Sean Ben) assumed the strong responsibility of caring for this family in the absence of his missing brother, and filling the double roles of the father and husband as much as possible. But it is not a substitute for the real thing, and Jim has no choice but to find ray and persuade him to return home. From that point on, upwards, “Numan’s Shabsa” turns into a mood room with the modernity of the return of Dai Lewis, the power of many power shows, and the unused capabilities of the talented Nipo film director with a large area of ​​growth.

We hope that we always live in a world in which Daniel Die Lewis starred in films. Rumors of retirement after the 2017 Phantom thread for the year 2017 Perhaps this has been exaggerated, but his return after eight years is no less welcome. Ronan Die Lewis has clearly interested during his visit (and even living) different films groups that the actor has worked in in the past years, and it may not be a coincidence that “Numan’s slips” have certain The flavor Paul Thomas Anderson Therefore. Here is another stubborn personality, other voice, and sometimes terrifying for Yazi, to reside, breathing all new layers in the text of the Father and the Son. The film appears to be well aware of this added layer of conspiracies, as it hides the amazing day and tweet for as long as possible before it is properly revealed while it appears from the shade.

It wasn’t time nice with Ray Stoker, and Day-Lewis makes him look like a racist power of nature. Ronan throws multiple monologues in Daniel, each of which goes chewing and climbingly, forcing us to sit and listen to the side of Brother Jim. Sean often finds the same in the negative role of the listener, of course, but he does not take this for a waste of his talents. Bean makes us feel the full weight of time with each cavity line on its face and the most amazing look. He may be stopped from this strange man who was outside his brother one day, but there is no mistake in the type of association that cannot be made that can only be formed between the brothers who passed through hell and returning together-regardless of the number of times that Ray Eman Jim aims at his face, or raises his past, or brushes the message that Nisa sent with Jim. Ronan’s direction chooses an abundance of close associates and shots, allowing cinema pioneers to drink in every details of artists at the absolute upper part of their games.

Why is a complicated and mysterious person like Ray walking away from the only family he knows? We approach more than one answer through Brian and Nisa, which Ronan continues to retreat throughout the 121 -minute operating period. Samuel Bottomli brings innocence and a feeling of anger that he was very felt in his shivering voice and bloodshed, but Samantha Morton is his mother Nissa who walks with these scenes and leaves us Begs She did not reunite her personality with Ray-not only from an emotional perspective, but simply to see Morton and Day-Lewis go to the soles of the feet.

Many “Numan’s Shabs” takes a feeling in the Bible or almost fictional stories, as the film Bin Fordsman holds racist natural images – shadows flourish on the stone wall in his hut, and rain runs down the leaves, and boils water in a bowl of soup – in order to give a feeling other than other physical workers. Ronan Day Lewis, a self -described painter through trade, fills his first appearance with unimaginable symbolism and images that inspire all kinds of discussions and discussion. Abstract and expressive is the name of the game here, although one of them quickly gets the impression that the text program cannot completely Find a way to collect all these contradictory concepts together in any meaningful way. While Ray and Gym roaming and swimming and hunting together through forests, it is much easier to sweep it in coarse energy between the two brothers or painful conversations between the mother and the son more than the superficial ideas of nature that crawls from the margins.

Although this does not make more than the first time an active or coherently coherent, all this means an undeniable talent with the possibility of crafting a really wonderful artwork. “Anemeone” does a work that is able to build mystery in his heart, wait and wait until he builds pressure before the fans and his characters give a valve an edition-in the first place through another monologue to wander in another round. The final answers of our most urgent questions may not be the most novel or original, but the film finds a way to feel the venting through his sympathy that does not soften his characters. Even in a world it seems out of control, it has not been too late to amend … or at least attempt To do this. When everything is said and deed, we may look back in the “Numan Schedule” as a first promising step for a much larger profession.

/Film classification: 6.5 out of 10

“Anemeone” was shown for the first time at the New York Film Festival and opened in theaters in a limited version on October 3, 2025 before expanding widely on October 10, 2025.