A scientific fiction movie about the end of the world of artificial intelligence

A decade has passed since we had Gore Verbinski, and it is a farce because it is one of our best movie managers. Verbinski is a way out with a well-used VFX eye, which is very rare in Hollywood these days-Derevi Jones is still one of the greatest creatures of individual computer graphics in all times, while his mobile movie “Rango” was very good. Choose this project instead of working on “Avatar”.

Verbinski knows how to make even a small story you feel huge, whether it is the mad balls to the wall of “Mouse Hunt”, or a new edition of the “episode”-it can be said The best new edition in English for a horror movie ever. Now, he finally returned after spending years working on a mobile music for Netflix without success, a great return for the director.

“Good luck, enjoy, don’t die,” starts unclear, with a regular evening at Los Angeles dinner where shepherds enjoy their meals, each of them has a story of their own but does not draw attention. Then Sam Rokuel arrives as a man who wears what can only be described as technical mails, a group made clearly from everything that was found on the emptying of the Cyberpunk Cosplay. The man, with his long and extremist hair and its mixing, is not lost time making a scene. He says he is from the future, and he is looking for volunteers to help him in a mission to destroy the rogue artificial intelligence before destroying the world. I was given, no one takes it seriously – at first. But he begins to treat beneficiaries with confident familiarity, saying he says he did this more than 130 times. Are it nuts? Is Contraption around his chest a time machine or a temporary bomb? Why do you know how much this random sponsor changes in his pocket?

The following is an adventure of a joyful science fiction from the balls to the wall, which begins as “Ribo Man” and ends with “Akira”. It is bold, he got a great crew, it’s one of the most timing types of types in years. It is great to return Gore Verbinski.

Although the comparisons of the “black mirror” are expected, “good luck, enjoy, do not die” do not comply with “The Mitchells Vs. The Machines” in how to instill the heart with absurd humor and Bonkers often about our Dystopian relationship with technology. It can be said that the most difficult and most exciting film is to shoot schools. The text program from Matthew Robinson (“Love and Monsters) not only focuses on the tragedy, but also the unfortunate way of such tragedy has become so common to be primitive for the American experience.

It indicates that the duality first in the flashback and explained how the school teachers (played by Michael Benia and Zazie Beetz) at dinner at the beginning of the story. Through the eyes of Penia’s personality, we see how strange teachers and students in the shooting operations at schools, with every person who abandons a safe room and moves through social media, ignoring what is happening abroad – before continuing their day without a single care as soon as the state of emergency occurred. But through the story a character played by the Juno Temple, we test the actual tragedy of a child’s loss of this meaningless violence. However, there is still a spirit of humor in everything, as other fathers treat fire as just another activity outside the curriculum; Another PTA meeting to attend every few months.

As it is dark (and funny) as the film is treated to shoot schools, the anger of “good luck, enjoy, do not die” aims directly to artificial intelligence and social media. The film repeatedly argues that social media was the beginning of the end of civilization as we know it, and that artificial intelligence is just Herald for the end of the world, its only knight.

In the end, when the film begins to play with the idea of ​​simulation and VR, which creates great innovative images of confusion in the unrealistic confusion of the audience, the film loses a little steam – especially when “Akira” becomes full in terms of body terror and metaphysical. However, it is easy to get the wavelength of “good luck, enjoy, do not die” and be along the ride. Although the smallest movie at Verbinski since “Mouse Hunt”, it still seems ambition as the director’s work.

/Film classification: 8 out of 10

“Good luck, enjoy, don’t die” in Fantastic Fest. It will be opened in theaters on January 30, 2026.