Klint Eastwood called his Oscar -winning war film Stephen Spielberg “remains”

Clint Eastwood and Stephen Spielberg won each of the best Oscars. They are their peers, by all standards, friends. But they cannot be more different like film makers.

Eastwood was born in 1930. He was a rebel and athlete. While he was preparing to go out to the Korean war in the fifties of the last century, and according to what was reported, he survived the crash of a plane from an advertising launcher in Douglas that crashed into the Pacific Ocean in Marin Province, north of his hometown, San Francisco; He swized two miles away to the beach and then went out. Later, he found moderate fame such as Cowboy Rowdy Yates in the TV series “Rawhide” before flying to Spain and cooperating with Italian director Sergio Lyon to make the spaghetic “dollar”. In 1971, it became a dual threat Guidance and starring in the movie “Play Misty For Me”. While he also proves himself as a work champion in the dirty harry of Don Siegel.

Spielberg was born in 1946 and was a miracle of filmmaking at the age of thirteen. It was short, embarrassing, and committed to artistic arts, most of the time, that the mysterious French French supporters called them “photos” when they sharpened Spielberg in adolescence his craft as an automatic car that takes over the camera. By the time when it really achieved the first outstanding feature, “Duel” (which was filmed for NBC TV, but it is so well -ranging that Universal released it in theaters), it was clear that he was heading to great things in the film industry. Universal, Vice President Sayyid Xinberg, believed in Malabelberg and stuck to him through the difficult production of “jaws”. He would continue to become the greatest movie director in his generation.

As Spielberg of Maestro was of emotional escape over the first decade of his career, Eastwood generally expelled the full crowds. Their paths finally crossed in 1995 “Madison County” produced by Amblin (One of the best Eastwood films), and they were bound again in the twenty -first century when Spielberg handed out the exit colleagues from “Flags of Our Parents”, “Messages from Iwo Jima” and “American Snper” to Eastwood. The elderly director was joking that he was taking “Spielberg”, but I believe that he understood that Spielberg knew that his friend’s reserve sensitivity was more appropriate to these projects – especially on “American Snper”.

In an interview with 2015 with Hollywood ObserverEastwood admitted that Spielberg was to direct Bradley Cooper in the American “snipers” until Wunderkind once felt confused from the materials. Interestingly, Eastwood did not jump at this opportunity. Thr said:

“I read Bradley Cooper about it, and I didn’t think much about it. I did … I was reading the book, and then, suddenly, the studio called me and said:” Did “American snipers go?” And I said, “Another person, Stephen does that,” and I go, “What are you talking about?” They said, “No, no, this fell, but we all love her to come there.” And so I said, “Well, let me finish the next thirty pages of this book here, and then I will call you.”

Eastwood made some notes and eventually felt that the project was in good condition enough to take it. But he also felt that he had to call Spielberg. Eastwood added: “I told him,” I said, “I take your remains again.”

These were beautiful selection residue. The film received six Oscar nominations, including one for the best image. Alan Robert Murray and Bob Esman won an Oscar for Best Voice Editor. It also achieved $ 548 million at the global box office for a budget of $ 59 million, which is high for Eastwood. ((The fake child, unfortunately, was ignored.) Should Spielberg be marketing projects to Eastwood before “Madison County bridges?” Yes, God. I will give anything to see what is meaningless, taking this nonsense from such visible effects, heavy optical strikes as “The GoONES”, “Harry and the Hendersons”, and “unlisted batteries”. More than anything else, I would like to see “Hook” for Eastwood, where the father with blue collars that are not absent, he only works and returns to Nefend as a slope. I would also like to see “The Outlaw Josey Wales” for Spielberg, if we just need to get one western man out of the man before he was stuck forever.