A major thing that separates long walking from hunger games

America has a strange relationship with love, and it often retains exclusively the word romantic relationships and nothing else. The relationships between the children in “The Long Walk” are the emotional nucleus of the story, and revealed the well of the human relationship always available in the face of fascism. With every step they take towards a specific death under a repressive system, their fake ties are quickly – friendships, common memories, and moments of sympathy – in flagrant ambiguity of an inhuman system that forced them to the situation in the first place. As described The relationship between Ray and Beit in my evaluation“Their love, whether it is Platonic, romantic, or something that is impossible to understand what was not under the circumstances of walking, is the lifestyle of the entire film. Every conversation between the husband is transmitted, with a calm despair at every glance, every step in my target.”

It can be said that this is the same clouds from “The Hunger Games”, where observers are soon associated with Katniss (Jennifer Lawrence) and Peeta (Josh Hutcheson), but Ray and Pete are different. Beit Ray did not know until after a short period before telling him famously, “You only need to dance with me so forever, my raids, and I will never get tired. We will reveal our shoes on the stars and hang upside down from the moon.” Their intimate links are immediate because both of them know that they will only get each other for a few days, and there is no time to waste the comment on the deviations that do not matter. All that matters is the moments they left, and how they choose to spend them together.

The same can be said to every relationship that all pedestrians share, and all of them participate in the quiet resistance acts every time they help the other walking a little. As a classified drama, “The Long Walk” does not retract the graphic photography of their topics, which verifies the health of the real tragedies, many of which have become perceived, as video clips of genocide within the genocide are just passing a timetable away. When there is no final line to cross, watching kidney strangers helps each other, even if they know that only one of them will make him alive, it becomes a strong symbol of the challenge.

It is not strength, obedience, or “victory” that moves us forward, because life is a battle that cannot be “won.” Our ability to feel, communicate and stand together against cruelty is what really matters, even if it is for a short period of time.

“The Long Walk” is now playing in theaters everywhere.