The new Alan Rcha Racker will pick up the new Alan Racher

“Motor City”, the violent movie Revenge Revelller, which was identified in the 1970s, the first show in North America Thursday evening at the Toronto International Film Festival. To date, the biggest claim to the film is her pioneering man, Alan Richson, who was famous for his role in the first video series “Reacher”. For the fans of this series, which is related to watching Richson’s character, who overcame the bad guys with ease and confidence We all hope we haveThis new movie of his will on your right.

Making it is suitable for the strongest fans of “Reacher” is that the character of Ritchson here, John Miller, does not maintain the hardness of weacher and Swagger; It maintains a reacher inclination to speak only when necessary. “Motor City” is a time of 103 minutes, and during that time, Miller speaks only three words that the audience can hear. As for the rest of the film, he quietly monitors his position and gets his revenge. Like Reacher, Miller does not need to speak because his actions (and his great, ridiculous frame) talks about him.

At least as much as it comes to dialogue, it can be said that “Motor City” is a more sincere adaptation of “Jack Reacher” novels compared to the last TV program. As it appears to appear to appear Reacher in the show, the TV version is a real gossip compared to its literary counterpart. Lee Child has the advantage of giving readers direct ideas to reach the narration, which means that there is no need to reach any exhibition necessary loudly. Book Reacher is a real quiet king, and he is only in this film that Richson was able to do this aspect of personal justice.

Saying that Miller speaks only three words in “Motor City” is not 100 % accurate. It appears talking here and there, but we were never aware of these fine words. “Motor City” remains focused on video and music images, with soundtrack that appears to be just a playlist in the seventies of the last century. This is not a complaint, to be clear: the film’s adherence to this light number, music-music, making a seamless and sedative watching experience. (Tawafis: Richson was not the first person to be associated with a star in this movie))

The lack of a dialogue here works well because the actual story of “Motor City” is familiar even for informal fans of this type. We have all seen films about a framed man for a crime that he did not commit, separated from revenge. The film knows that its scheme is simplified, so if it will emerge, it will have to choose the bold method and adhere to it completely.

The result is a movie not only amazingly, but also confirms the lack of the movie that needs dialogue as a cousin for the exhibition. Vapby picks up a similar as a “quiet place”, ” “Hush” episode of “Buffy The Vampire Slayer,” The fourth season theft episode in “MR. ROBOT” or “The Boy from 6B” in “The only murders in the building”. When someone speaks, the director guarantees that viewers ’eyes are glued to the screen; They can’t look at their phones while the dialogue keeps them in the episode. A movie free of dialogue helps ensure an active and participating audience. It is a simple way of fraud, but “Motor City” shows that there is nothing wrong with a well -done way of fraud.