Samara weave in Kabir a funny and moody crime

There is moral tension in the heart of films from criminals who are often not announced. It is the idea that the crime is generally not something that you aspire to or proud of. These ethics are mainly traditional wisdom and do not require that they be mentioned directly, and certainly not after the days of HAYS law imposes a kind of moral messages about many crime films. Most of the crime films (ultimately, TV programs) were taken after the collapse of the production law, one of the many approaches, such as the presentation of criminals in the form of a personal study on the basis (with a photography that is not necessarily supported), or as the vulnerabilities of loved ones who make personalities (or institutions) either morally or worse than their goals. All this is in the service of the audience who indirectly enjoys themselves, and get some suspense for a few hours about what might have to break the rules.

As such, there are not many crime films that try to mix the indirect excitement with sober ethics, for fear that the previous one will empty or treat the latter. “Eenie Meanie,” the new Caper Caper, is this rare movie that tries to package both qualities. Produced“Men who wrote Deadpool,” As one of the posters of the film, he is enthusiastic), the advertisements and trailers of the film make it look like a kind of loud and ridiculous films full of work, which is a movie from a movie from The “Zombieland” maker will be. However, the writer/director Sean Simons made a more accurate and multi -faceted movie than the beginning.

Simons, who has been a television writer over the past twenty years, has recently worked on “John Wake” spin “the continent” And Amazon Prime’s “Wayne” (which was Reese and Wrangi is a book), approaching his first movie with a feeling that he feels closer to the films of Jim McBraide or John Mccanoton. As in directors of directors such as “The Big Easy” or “Normal Life”, “Eenie Meanie” is a mixture of wonderful cinematic excitement and counterfeit character drama. It is not an easy mix, and the movie does not always pull it safely. However, thanks to Simons’s ambition, some incredible trick, especially the main performance by Samara Weaving, “Eenie Meanie” ends as a well -satisfactory experience.

Although “Eenie Meanie” does not burn any new paths in terms of conspiracy or personality, the way it arranges Simmons and these elements are unique enough so that it is difficult to know where the movie goes until you are deep. Unlike other crime films, “Eenie Meanie” does not play with a time sequence or a point of view, so while it takes one minute to focus, it is very clear and direct. After the 14 -year -old Elle Graham (ELLE Graham) as a smuggled driver for her deadly dead father, the film jumps to this day after 15 years, as Edie (Weaving) went straight. She left behind her criminal past and goes to the community college and works as a bank rhythm in Cleveland, Ohio.

There is barely no procedure in this first act of the movie, which Simons eager to draw our attention to him, and the scene suddenly cuts when we seem to move away from the policemen with a young man or adult adults who go down some thugs stealing its bank. Simons provokes our desire to obtain some procedures as well as the treatment of its arrival, such as the fateful inevitability, in the same way that the criminal life is increasingly breathing from Eddie’s neck. Once Eddie discovers that she is pregnant for several months, she tracks her ex -husband, John (Karl Glassman), to tell him the news, just to discover that he had obtained another chaos or death, after the old Eddy president, The Crime Kingpin Nico (andy Garcia). In order to scan John’s debt to Niko, the Lord crime is in Eddy to steal the theft in the Toulido Casino, where you will steal the Dodge Prize for the Booker Championship with $ 3 million in cash in the trunk. Along the way, Edie will have to prevent John from becoming a responsibility for the job, as well as trying to deal with their unnamed relationship.

“Eenie Meanie” is an action movie in a more traditional sense than the audience is used to in the “John Wick” scene after “John Wick”. It is not a movement from the wall to the wall by any means, as Simmons carefully chooses the moments when the movie collections arrive. However, when the film runs to a high degree, it strikes strongly, due to the way Simons deals with the procedure from the point of view to the Earth. Again, unlike the recent movement films like “Ballerina”, “Novocaine” or A working man, “Eenie Meanie” does not look at the top. Instead, Simmons and its coordinators (Keith Campbell, Nicolas BOSC, Paul Jennss and Michael B. Johnson) give the movie some bold originality in its battles, especially car chases. The atmosphere is not the “Fast X” or “Bad Boys II”, but rather from “The Falcone Point”, “Mary Marie, crazy Larry”, and “Proof of Death”.

For this reason, SIMMONS gets a lot of miles from what can be the appetizer in dust dust. The end of the car’s flipping may be just an appetizer for the likes of Michael Bay, but in “Eenie Meanie” a scene worth the admission price. This approach at work indicates that the entire film works at the old school level. In order to be clear, “Eenie Meanie” (although some GrindHouse Marketing) is not Tarantino, but a sincere attempt to make a crime movie at the level of modern land. For work addicts like me, this film is a state of quality on the quantity.

One of the most prominent events in “Eenie Meanie” is the group of its band, where it is very clear early that it came to play. Indie Garcia, of course, is a welcome presence as always, as Gravitas brings to Mobster while making it reasonably strange. Consigliere, George (Mike Omali), is a character that allows actors to become a dual work, leading to some great humor and drama. It is this mixture that Simons follows clearly, and there is no better place in Glusman’s performance like John. Glusman has a difficult needle of this thread, which all makes it simultaneously a comic comfort, romantic lead and wild card. It is a mixture that easily crushes lower actors, and pulls them Glusman with APLBB.

As great, they cannot always allow “Eenie Meanie” to shoot all cylinders at all times. The Simmons Elmore Leonard-Lite tone requires and its approach to sharing sincerity and sincerity simultaneously the theater, and while a person like Tarantino or Paul Thomas Anderson can find this balance, it is aimed at the director for the first time at times. There is also an additional part of the twist that includes the Perm Lynch character that makes the sequence of the stolen piece of the central piece additional, yet it offers a very single wild card to maintain the emotional basis created by Simons. Once again, the film ends with a feeling of structurally threatening, but there are some drilling on the road there.

The star “Eenie Meanie” and the reason to see him – unlike car and heart accidents, that is – the fabric, which is absolutely the most valuable player in the movie. To date, the Weaving Film Profession was primarily support or driving characters in horror movies, as the actress showed a feeling of hurry, fear and flexibility as the largest assets in her tool group. All of these aspects play her role in performing her as Eddie here, yet she also turns her last girl into a beautiful way to work. The fabric vulnerability loaded on equality and internal stability The film carries, and helps him get rid of it on harsh stains. Simply, the film may not work at all without it.

Ultimately, the largest negative component of “Eenie Meanie” is something that is not its mistake, which is another original film for adults that are delivered to the broadcast service. Mixing the unique movie of tones and aesthetics of terrorism is things that make it really stand out in a theatrical environment, and it can easily allow it to fade in the background in the midst of many other offers about the flow. Even the result achieved by Bobby Cellry (also known as Haksan’s mantle), which often looks like a typical Hollywood degree until you listen to the closer and begin to choose individual metal touches, it can turn into a form of white noise that puts the film only in the background. A more powerful theatrical menu is used to allow emerging film makers to stretch and play with the type the way “Eenie Meanie” does. I can only hope that the movie will be enough to influence SimMons to conduct some interesting experiences (and allow weaving to lead some action films) instead of just leaving a small cloud of dust.

/Film classification: 7 out of 10

Eenie Meanie flows on Hulu on August 22, 2025.