Marvels’s director knows exactly what happened in Brie Larson

Certainly, director Nia Dakosta left the impression of the festival circuit in 2018 With a feature for the first time for her “Little Woods”. Trust was directed that the independent independent West is independently accustomed to the extent that it would be only a matter of time until the industry’s attention was generally caught. Like Clockwork, Dacosta soon found itself in the studio system with a heritage continuation of Jordan Bell to “Candyman”, but she really got her shot in the big time by employing her to direct “The Marvels” for the year 2023. After 2019, “Captain Marvel” achieved a success of billions of dollars in Marvel Studios, all of which was inevitable. However, nothing was only a traditional follow -up, as it should have been a complement to both Brie Larson in Disney+ Proming “Wandavision” and “MS. Marvel”. This naturally put a lot of pressure on Dacosta to present the best movie that can be under these circumstances, unfortunately, it ended until it is one of the biggest disappointment in Marvel Cinematic University.

/Jeremy Mattai from the film referred to the most prominent in the movie, such as Mrs. Marvel Eman Villani, With criticism of the lack of narrative cohesion in his review of “The Marvels”. The same film appeared in the period “Avengers: Endgame” where Marvel Studios was throwing many ideas on the wall to see what it could adhere, and reverse results. “The Marvels” received moderate reviews at best, and at worst, Hold the title of being the largest fluctuation in MCU at the box office. At that time, there was a group of pieces that led to the release of the movie in which Dacosta carried the impact of the potential film’s failure. Before her next movie, “The Bone Temple” arrived, the director took time to think about the reason for “The Marvels” side (across Hollywood Observer):

The “28 -year -old” made was one of the best film industry experiences she faced. It was one of the issues she faced with “Candyman” and “Marvels” is the lack of a really strong text, which will always happen chaos on the entire process. “

Marvel Studios is not alien to the presence of text problems, as some of its films enter production without a single completion. ((I am sure that Marvel does not do Which – which Again, especially with “Avengers”.With “The Marvels”, however, the scenario appears to be transformed from the “Captain Marvel” supplement to a group movie. Although Dacosta participated in writing the project with Megan Mcdonnell (“” Wandavision “) and Elisa Carasik (” Loki “), the final film comes as a familiar case of many chefs in the kitchen.

It was not a secret that Marvel Studios was throwing dacosta under the bus when she started out that “Marvels” would not rise to the level of expectations. A few years later, the “Little Woods” director is now able to think frankly in her experience in making the movie, with a highlight of the difficulty of making a movie under the eye of Marvel Machine (across Delivery date):

“They had an appointment, and they were progressing with certain things, and you just have to tend to this hardline process.

Part of what makes “Marvels” very frustrated is that the combination of three wonderful tools of MCU in Hangout Superipho movie that highlights the energy looked like a real fun time. Unfortunately, the film is a huge structural and narrative chaos that cannot decide whether it will tend to the pulp of science fiction (the planet of singing) or its commitment to the commitment of the contractual world building. Dakosta, for her part, realizes that her voice was lost in the early stages of the film’s production:

“It was interesting because there was a certain point when I was like,” well, this movie that you presented or even the first version of the movie you filmed will not be, “so I realized that this is an experience now, which is the learning curve, and it makes you stronger as a cinematic power in terms of your ability to move.”

While some film makers such as James Gon (“Galaxy Guard” were able to make great films in MCU with a clear identity, it is almost impossible for new arrivals to put their entire seal on something that is run through a full number of departments in Marvel Studios. It cannot be completely individual, as it must fit with MCU breathing, but at the same time, films such as “Thunderbolts*” have proven that the concession installments can be on Something other than preparing what comes after that. However, I think it is funny to be one of the largest settings for “Avengers: Doomsday” (DOOMSDAY “Post -credit scene from “The Marvels”It was included with a movie that the audience did not bring to see.

However, it seems that Dacosta has already taken its complex experience as an educational tool that enters its next few projects. Although she might have found herself directing another franchise movie with the middle chapter in the continuous “28 years after”, it would be exciting to see Dacosta returning to its dramatic roots later this year with “Hedda”.

“Marvels” currently flows on Disney+.