One thing is to keep the arms manager Zach Cryber from being the next Xiamalan

“Go blind.” This is the warning that accompanied the amazing horror films that came from director Zach Craigger. After we gave the story of Airbnb, “Barbarian”, the latest “Cregger”, “Weapons” see a consuming town with dread after a full semester of children It disappears in mysterious circumstances at night at 2:17 am. In both the finalists of these films that received great approval, the fans were left fond after holes were dropped from horror (completely literally in the case of “barbarian”), ignorant about what was waiting in the end. It has made a fresh and exciting sound in this type, and it appears to be hesitant with the same level of tension, chills, and pulling the rug as one way out in particular.

In 1999, M. Night Shyamalan appeared on the scene with “The Sixth Sense”, which he threw One of the greatest shifts in the history of cinema. He saw his prosperous success shot at the top of the “directors to watch” lists. Xiamalan was often compared to Hitchcock-thanks to the first batch of films that were linking the second audience (and the third guess, and the fourth guessing) where the story was going-which became the blessing and burden of the director. Now, after producing consecutive exceptional horror films, Cregger has an opportunity to gain the same type of traction. If he is not careful, he may end up with a similar case, his predecessor was afflicted with most of his career.

Many managers have brands in their work. Michael Bay can be seen one mile if the slow sunset snapshot is completely correct, and there is a sharp speed and edge of a written story on Sorkin that looks like another. However, after the world learned of Xiamalan that ghosts do not know that they died, the transformations became its cinematic seal. The masses were searching for them with activity and disappointment if he did not match the most famous, or worse, it was not present. Our literally A list of its transformations in the ranking in the inability to predict. It is so large in number to the extent that both South Park and a “chicken robot” have mocked it.

If Cregger is the new Shyamalan, then “weapons” are “unbreakable”, which are very respectful. His follow -up to “Barbarian” is great, if not better, but the audience flows to watch this movie after the first one may be more willing to rotate their heads. Just like any horror story, part of The Treat is in the trick and offers Cregger in the final verb “weapons” is incredible enough that the demand is undoubtedly stimulated to another person in his next project. This trap is that the director of the “trap” fell early in his career, and each of the department can avoid if he continues to apply one essential element: he needs to maintain total matters. Like, really total.

Just like any good horror outlet that takes a height, Creiburg has become an urban legend. His films tell stories that the cinema respondents tells Incredibly disturbing trailer Or threaten things that have become more chaos than they want to sit. Xiamalan’s work was lacked by this level of brutality, which allowed that the prevailing fans were bold enough to watch his films. The more the width, the easier it becomes accessible to the twisted horseback riding to them.

Cregger, according to his appreciation, does not enjoy this luxury and succeeds though. The skulls are destroyed, the faces are complex, and ugly monsters are truly detected enough so that it is an audience chosen with a strong stomach ready to bear it. This fierce vision is often ugly it can allow it to grow at a more stable pace, and keep the demand for mandatory rotor. Cregger can continue playing with a kind of Moments of Gotch by “Barbarian” and “weapons” in the shadow before the fun really begin, and send the masses to the head as Shyamalan did before it. It only needs to make sure that the secrets he holds are the secrets that are lacking in blood, and the bells of the intestine only for those brave enough to see them.