Classic drama that is actually a horror movie

by Dru diet
| Published 12 seconds ago

My philosophy with imagination is that every story is a horror story so that it is not. Horror is often misunderstood as a term of type or explicit prejudice by commentators who do not already respect it. That is why you will still hear a trivial discussion about “he is The silence of the lambs horror movie? He is Jaw horror movie? “When these types always finish the same answer from anyone who understands the story of stories. Of course it is horror.”

This perspective prompted me to see stories as an unbearable terror. In this context, the thesis was presented in the title of this article: To kill the emulator It is a horror story. To the extent that my specific argument, To kill the emulator It is a horror movie.

Let’s talk about black terror

I recently wrote a review of one of my favorite documentary films, Noir Al -Ra’a: A History of Black Horror. You can read this review hereBut the reason I put it is that it is one of the most important documentary films that I saw when it comes to giving me a view that affects the need for criticism and technical analysis. As it was said in the movie, “Black History is Black Horror”, and it was this comment that started thinking about me To kill the emulator As a horror movie.

story To kill the emulator He ultimately focuses on Tom Robinson’s trial, a black man accused of assaulting a white woman. It was also presented in the novel Harper Lee and Robert Malligan, we know that Tom is innocent. However, it is announced that it is guilty due to racial bias and is shot when he tries to escape.

Although IMDB has types such as “legal drama” and “Drama” on its page To kill the emulatorI see nothing but terror in depicting an innocent black man. The railway is in an unfair rule. There is even a chilling scene where Atticus Finch, the ethical center of the story, must guard Tom’s cell at night for fear of the coming of the town’s residents to kill him before his trial.

However, I will be completely honest with you and say that the black horror part of To kill the emulator It is not the strongest argument for me to the state of the horror movie. No, I have all the ammunition I need thanks to Bo Radley.

The adjacent monster

A major factor in a story To kill the emulator It is the fateful form of Arthur “Bo” Radley, the hero of the scouting novel Vinch. Booh is treated by a local monster that no one sees at all. Of course, BOO AS is used as a metaphor for someone else’s lack of understanding because it is different from you. It is a classic way to talk about bias in both racial context and also a broader human way.

However, there is a classic horror element in To kill the emulator Since people who believe they are monsters are not the real villain. Bob Euyel, racist drunk and is the perpetrator of the real crime to attack his daughter, eventually attack the scouts and her brother Jim. And who should be the person who saves them? Why, is the adjacent monster, Bo Radley.

I feel that Guiro del Toro will be the only modern director who can reshape it To kill the emulator Horror films are in some way that the audience will get. ”In many ways, To kill the emulator It is also the story of Noir because this type revolves around the uneven darkness in the heart of the so -called civilized society. I see Alley nightmare And think, “Yes, I want him to do this with him To kill the emulator“

Horror, not drama

I hate this type of “drama” because this is not a kind. The drama is the motivation behind the construction of art. “Drama” is just a way to tell you that it will be a movie about ordinary people who speak in the rooms. Instead of giving it a cute drama mark, To kill the emulator It should be adopted as a historic horror movie Noir about the monsters that we are still dealing with today.

I love To kill the emulator As a novel and perhaps more as a movie. So, I will continue to describe it as a horror movie because it is one.

---