by Dru diet
| Published
I love Ghadzella. I and Big G returned to the days of power from playing with movement characters, making stories between Godzilla, King Ghidorah, and anything that was useful Batman game. Unfortunately, the last American Big G direction has left me at the extreme. While Japan was coming out of the garden Shin Ghadzella and Ghadzella is one minusAmerican films have been a slope of quality since then Ghadzella: King of monsters (What I can see from him).
Therefore, trying to drink some American Gidzella cinema that was not the moving void Godzilla X Kong: The New EmpireI looked around me YouTube To find out if there are any creators who do something interesting with the world of Ghadzella.
Fortunately, I found it completely.
Live with monsters
My research led me to Lost Films, an outlet that makes a number of videos and animation. Ghadzella And other giant monsters. The video was through my way Live with monsters And he won it immediately.
Live with monsters It is presented as if it was a legal documentary that was produced in the 1960s. The concept is that Live with monsters As an introduction and an explanation of a new world where the Amok giant monsters work. Downtown is what is addicted to drugs with this. Seeing a low -budget video clip nothing I had not fully implemented before was exciting. Why didn’t an official movie or series in Ghadzella try something correctly aesthetically?
I also enjoyed it Live with monsters It can be edited from any copyright fears and gathering monsters from many different movies and features. This means that the Utopia Films Lost Gang gets the construction of its unique monster world with its myths.
Which leads to 54 shelter.
54 shelter
The next video was from the Utopia Lost films that you watched was the follow -up Live with monsters. Instead of another countryside on the old documentary, 54 shelter The form of an official government video that shows in detail a terrible accident that led to the creation of another monster.
This concept takes to some unexpected areas of unexpected, and provides another interesting explanation for a classic monster. This type of creativity does not see them in the American Gadzella outposts. 54 shelter It proves that there is still a legitimate horror that is extracted from these many monsters.
The Utopia Lost films only put another Godzilla video to behave as if it was a tourist advertisement for a monster party. This type of new approach that I feel is missing from many modern American Ghadzella product. If Hollywood is smart, they collected the writer/director/editor Taril Christie and let them make a kind of full -length or chain document. These are some of the most motivated things that I have seen from the story/world of Ghadzella for a while.
Here is the hope of more missing Utopia films and directed by Ghadzella.
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