The only science fiction movie at Al Pacino gave us an amazing warning about the future of Hollywood

Before writing and directing “S1M0Ne”, Andrew Nicole 1998, “The Truman Show”, Dramdi has been frighteningly continuing about the ways that technology would convert ordinary people into celebrities and our daily routine into a wonderful scene (first via reality TV and now via social media). Instead of focusing on the normal individual, “S1M0Ne” addresses similar topics but focuses on Hollywood. It is expected that our obsession with technology to display our humanity will turn into artificial intelligence.

Al Pacino plays the starring role in “S1M0Ne” in the role of Victor Taransky, a director for him, the latest movie that was released on the path when his masculine star Nicola Anders (Winuna Ryder) resigned. The new initiative will take time and money, so VikTor secretly uses a computer program that creates Simone (Rachel Roberts), a completely digital star whose name is short to simulate. VIKTOR allows computer algorithms to modify each gesture, and every sound turning, and every emotional difference is so flavored that Simone connects them to the best actress in the Academy Awards. Outside the screen, SIMONE is also a trainer on the media and driving. You will not break into a group. It never makes any mistakes, and the best of all, will never progress. It is encrypted to be perfect in every way.

Of course, the audience Simon loves increasingly silly ways, forcing VIKTOR to invent more and more terrible cover stories to explain the reason for moving Simone for itself. Ironically, this also makes her explode as a cold, mysterious singer. Ultimately, when Simon becomes larger than he was imagining, Victor tries to destroy her career by making her create the animal “I am a pig”, but the film was welcomed as a piece of ice cinema.

“S1M0ne” may be from 2002, but there are many parts that predict how to become artificial intelligence everywhere in our lives, even in movies.

“S1M0ne” teaches us that artificial intelligence is a very powerful tool. Once the Pandora box is opened, there is no closure. The stunning audience reaches Simon, as they worship her in every step and they believe that she cannot do any mistake, predicts the extent of normalization of artificial intelligence (if not addiction). For many, it became difficult to remember time when using artificial intelligence was not an option. University students cannot present an article without being written by Chatgpt to them, and sudden individuals are skipping treatment and making Chatgpt check their feelings instead. The technology in “S1M0ne” was so advanced that no one could tell Simon was not real. With the latest version of Google Veo 3, which can create realistic high -quality air videos, we are closer to not distinguishing what is real than what is made to the computer.

VikTor’s use of Simone to make things easier for him warns how Hollywood will also fall into the temptations of artificial intelligence. Hollywood is a capitalist machine like any other work, as designs look forward to saving money or increasing efficiency. Although there are no representatives of artificial intelligence The artists from the dead, like Peter Kushing in “Rogue One”, Or remove the era Pachino and Robert de Nero in “Irish”. until Oscar -winning Adrien Brody To modify its Hungarian and accent. “Late at night with Satan,” was similarly roasted on Twitter/X To use Intertitle generated from artificial intelligence.

It does not seem like a boom, but whatever happens to the hard work? We admire the cinema not only as an artistic form but also as a practical craft that requires perseverance and resourcefulness. Creating errors and the need to know how to create a snapshot is what allows your creativity to prosper, and the lack of a computer does this for you in the millions again. Will “Jaws” for Stephen Spielberg be half terrifying if he is not forced to build sharks? If there is a “Godfather Part II” aging technology, we will be subjected to a strange Valley version of Marlon Brando instead of Robert de Nero’s performance quietly in Don Cornion’s performance (which, by the way, did not need improvements in the Italian language dialogue).

“S1M0ne” warned us that if we are not careful, everyone will fall under the mantle of artificial intelligence – even Hollywood. Within 23 years since the release of the film, artificial intelligence crept into every aspect of our lives. An interview is made with the desired jobs candidates by AI AIVATARS, news information in the floods, articles that have been fully created from artificial intelligence, replaces the actual press, and the middle class functions are automatically.

For some reason, technocrats of artificial intelligence wants to replace artists more. Do you need to form an advertisement? Use artificial intelligence. Do you need to cover a designed book? Amnesty International can do this in the blink of an eye. It is frustrating that our society intends to destroy art and that the creative professionals and audiences are just a wrapping, just as “S1M0ne” warned us throughout those past years. I prefer to do Amnesty International with boring things like washing or cleaning, so I have time to make art – not the other way around. Instead, I am afraid that we will approach the nuclear damage Another nightmare of artificial intelligence: “Terminator 2: Day of Governance”.