It is impossible to watch Christopher Nolan’s first crime movie today

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If you are a fan of Christopher Nolan, you will likely know that his first movie was not actually “MEMENTO”, provoking the innovative crime that has proven to be the outbreak of the directive (a lot to surprise the director). The first British director project is usually listed in 1998 as “Follow -up” for the year 1998, which he had self -funded and shot on and around the tactics of guerrilla warfare in London. Although it is a bit harsh about the edges, it has appeared that Noir Neo-NOIR 16 mm is all the proportions of the future Nolan films, including a non-written novel that will become a distinctive feature of Oeuvre for the director when it develops. As such, “Follow” is a first suitable movie for the director, as it provides the masses with an insight into how film manufacturing style begins and developed. However, the first movie Nolan was really.

Certainly, “followers” was the first time in the direction of Nolan, but he made several short films before that-one of which has become somewhat legendary between the superior perceptions of the directors because it is impossible to watch it. Although it was not fully transferred to lost media lands, this film is, according to New York Times“Christopher Nolan does not want to watch it. What is exactly this is the missing project of Nolan, and why is it against anyone watching it? Well, like everything Nolan – including his text for “Inception” – everything is a little complicated.

In 1996, Christopher Nolan first appeared in his short movie “Theft” at the Cambridge Film Festival. This will be the first and only time that was shown to a public audience, as is the case since that day, “theft” has been kept under the lock and the key.

Like “Next”, the eight -minute movie was filmed on a 16 mm black and white movie while Nolan was part of the Film Association at the University of London. Before “Theft”, which was filmed on a weekend in the Nolan apartment, the young director contributed to a short movie called “Tarantella” in an episode of the Image Union series in 1990. Likewise, the short three -minute “Doodlebug” that lasted for the year 1997 in 1997 can be seen on the Internet, and it is even included in the standard edition of the “following”. Nolan directed a short documentary in 2015 on the animation, The Brothers QuayIt is available freely. “Theft”, however, is still out of reach, disturbing fans who want to complete the movie Nolan Filmography.

A distinguished short cooperation with many people who will become repeated collaborators in Nolan, including David Yulian, who presented the film’s music and continued to work with the director on “MEMENTO”, “Insomnia” and “The Prestige” – three of The best films. The main actor, Jeremy Theoplad, played the star in the “following”. In Darren Money “Christopher Nolan: a critical study of films,” Theopald briefly spoke about “theft”, praising the scenario as unique. “This was skilled,” he said. “He was funny, he was hateful, and he was dark. He had a great development in the end.” More details are scattered, but Nolan fans managed to get some ideas over the years who have eliminated a copy of “theft”.

We know that the story of “theft” includes the process of robbery on the apartment, where the owner of the house really faces the intruder while storming it. In an interview with Empire Magazine, Jeremy Theopald revealed this conspiracy: “A man who breaks an apartment, amazing (I). They argue around the new friend of the” thief “, who came to obtain her purposes. Then a third man explodes from the treasury.” in interview Christopher Nolan made himself after “Follow -up”, a short film as “an 8 -minute movie about the robbery, filmed in B& w at 16 mm” and revealed that he cost him 200 pounds. Otherwise, a few people can claim that they know a lot about the film, which is said to be copies of it but none of them have been published.

Why Nolan – who is currently working on adapting him “Odyssey” Keep “theft” under rolls since its initial appearance is still mysterious as the movie itself. The short director, Nigel Carikari, said, said New York Times“Chris is a very controlled artist, and he is a film director. In” Christopher Nolan: a critical study of films, Jeremy Theopald continued, “I think Chris think he was very similar to” follow -up “, that people believed that he was a test of follow -up.”

Whatever the case, Nolan’s refusal to reconsider the “theft” in any way has thwarted fans and exciting (if it is Letterboxd The comments are anything that goes through). Is Nolan plan to use the concept of the short film for a full -length movie, or is he just trying to prevent people from seeing a project that he may not be fond of in the past? Perhaps one day, the “theft” will appear and the fans will be able to complete the filming of the movie Nolan. However, at the present time, this is still part of the lost media required in Oeuvre.