There is one thing that makes the Global Global birth different from the Star War and Ghadzella, according to Gareth Edwards (exclusive interview)

Now, as a student who recites a lot of dinosaur, I must ask you about dinosaurs.

Yes.

What his idea was to redesign Spinosaurus into something more scientifically accurate, compared to Movie Monster version we saw in “Jurassic Park III”?

I was worried that I was directing it towards the release of a movie monster, and that it was user To be really accurate. It is like, imagine that we are dinosaurs, the world is full of dinosaurs, we are dinosaurs, and they make a movie about some people. Someone goes, “hey, we will have an Asian person in this scene,” and go “, but be more specific,” right? They go, “Oh no, but it is just Asian.” It is like, you can get Spinosaurus, and then you can get one different different. This idea is that there is only one type of crazy dinosaurs.

Basically, I saw that, “Well, in the last movie, if this is Clint Eastwood, then you will now become Marlon Brando.” So it was more than that, “Well, let’s get this spinosaurus and start paying and withdrawing shapes and lineage and trying to make more character outside it.” I don’t know, I can’t really explain, but I look at two pictures just like nature, and you can personally go, “this is more attractive” or “I find more exciting than that”, and sometimes you cannot express the reason, “you just go”. Then you take it, this is the new, and you are messing with it and making two children and saying, “This is one.” And you take this, you are messing with it, and it is like nature mainly. You are trying to develop an idea and perhaps what is happening in nature. So yes, I did a little with this with dinosaurs as well, although some of them have been created. Otherwise, you do not really have fingerprints on it. I felt that it is one of the first things you do, is the seizure of all the games and you want to make them somewhat, somewhat.

In the “Jurassic Park” tradition, and the return to the original, it was always a mixture of advanced visual effects and practical effects. Correct me if you are wrong, but it looks like a “new birth” tends more to the VFX side than things instead of dolls, animation, this type of things. What went to this decision for you?

Yes, I mean, my background was computer graphics, visual effects. I think the thing you learn in the difficult way, in some of these films, is to face a lot of troubles in doing something practical and sometimes you end up replacing it in the computer. It could be really worth it, because it was a great reference. The actor gave something to respond to the collection, and everything could be great. But we had a year and a quarter, and we felt that we had no time to do before the victory, all that animation that people do from the sequence of trick and adjust the pieces. I also felt that Animatronics – like great, wonderful and crazy animation – will not happen in a timely manner. Everything was a lot of resources and time, and perhaps we could not get this one with dolls and things only.

What we did, we ended up asking them to do what we called the agent. Basically, they create the silhouettes and pictures that were widely, whatever the creature, and then they can enter a room and brides will come and play their animals, and in this way we can compose the shot. They do not resemble dinosaurs, do you know what I mean? But it is sufficient to make the actors interact with something, and look scary. We had these dolls Mutadon and the entire scene gathered and worked completely with the dolls only, because the men who were running them, such as, do not know what makes you want to do this for a living (He laughs), But they can take advantage of something dark. Yes, everything was just an agent, things that could pay open doors and such things, but not in reality – then they are replaced by real light dinosaurs.