This episode of the twilight region was so similar to that Rod Sierling bought rights

This post contains Spoilers For season 1, episode 18 of “Al Shafak Zone”.

The creator of “Al -Shafa area” Rod Serling opens the “Last Flight” with his narrationThe theater was placed for one Terry Decker (Kenneth Haig), lieutenant, “I lost a hope of it.” This first season swings in another unintended work to travel through time, It is very similar to the episode led by Russell Johnson. This confirms that only small fragments can be changed from the past. However, Terry was not stuck in the past, but he was transferred to the near future after it passed through a strange cloud while flying. When he detained him in the future after they felt confused because of his identity and the outdated military uniform, Terry knows that he is currently in 1959, and not in 1917. Although the commander of the air base and his men doubt the sudden appearance of Terry, the main struggle of the episode is purely internal, where Terry must analyze with the past to deal with a mysterious trip to the future.

In line with the topics of the most prevalent selection program, “The Last Flight” is participating in Terry’s guilt with regard to his partner in aviation, Alexander (Robert Warwick), who died after he abandoned him during the raid. In 1959, the officers refuted this, claiming that Alexander is still alive, and that he is known for a hero of war that saved thousands. Although Terry feels sorrow at first and admits his own cheese, he suddenly realizes that life has given him another chance. If Alexander survives in this timetable, this means that someone saved him, and that Terry takes it upon himself to be that person. The rest, although it can be predicted, is a standard moral story about having your mistakes by changing history. Here, the Al -Shafaka Pottery is standing as a limited limited space that provides second saturated opportunities with a sweet hope and bitter.

This classic episode was formulated by the ordinary collaborator Richard Matthenson (who too The script was written for The Brilliant “Nightmare at a height of 20,000”)And Serling immediately took his admiration for him during the text proposal stage. However, careful inspection revealed that the story has great similarities with a less well -known radio program episode. This is what happened next.

In 1959, Mathison put the idea that the missing pilot in the First World War had been displaced in a timely manner, who must recognize his cheese and the correctness of a mistake when the opportunity is given. Although this was somewhat simple, Matheson found that the hypothesis is convincing enough to keep the fine details. according to Martin Grams JR.’s “The Twilight Zone: Open the door to a classic TV“Matheson The Teleplay Written shortly after, which Serling referred to similarities between the story and a episode of Wylis Cooper’s Radio” quiet, please! ”

Now, Cooper’s offer was different from “The Twilight Zone”, but it often included tales that mixed imagination and terror, as Cooper Krawi works multi -use. The radio chain did not get an immediate traction as it was operating, but was welcomed as a foundational radio drama (which has been shaved with new original stories) in the past.

Entitled “One for the Book”, the relevant episode (which you can listen to hereIt revolves around the US Air Force Commander Max Westelik. Max seems to be fascinated by stories that have been predicted by advanced technology in the future, and the episode is presented from his point of view, as he tells his journey from the sergeant to the pioneer over the years. While remembering, Max talks about a night in 1937 when he sees a man who collides with briefing and transferred him to the local hospital. The radio ring retains our fingers by weaving the story with great suspense, and we know in the end that the injured man is only Max himself – from the future! The boundaries of science are interrogated, along with the concept of permanent technological progress that can transform external ideas into common reality.

For every gram book, Serling considered this story as it truly Similar to the person proposed by Matheson, described it as “almost twin” in terms of objective interference. Serling tried to follow Cooper to buy “one book” rights, but he was unable to do so for unknown reasons. Well, that was, and the tight of Matheson as intended, with the exception of some reviews aimed at enhancing reasonable.

This is the perfect opportunity for Check “quiet, please!” In its entirety. Cooper’s radio program is really highlighted because of its smart use of superstructure that challenges the expectations of stories in the middle.