Best Wayne West for John Wayne, according to IMDB

You do not need us to tell you that John Wayne was anyone The best representatives of Western films Absolutely, but what is its best Western movie? There are a lot of great choices in a five -year profession, with his usual and most famous collaborator John Ford and with other managers (“Rio Bravo”, “True Grit”, etc.). Two prominent films with Ford are often dominated by the conversation: Wayne stars in “Stagecoach”, and unusually dark Odysse in “researchers”. Both scream, but if you pay any attention to the IMDB classifications, the director and the star went better with the “man who shot Liberty Valance”.

The John Ford drama that was released in 1962 was discovered, exploring the clash between the romantic myths industry of the ancient West and the transition by the American borders to the law and the democratic system. This might seem like a little nap if you expect a classic horse -style shooting, but Ford Wayne is also reaching those charges. “Liberty Valance” is a large western and it is also a cracked entertainment piece, which gives us the first screen on the Hollywood, Wayne and James Stewart legends; Attractive love triangle. A group of colored supportive characters; Marved as a title is a title, certainly one of the harshest black hats that she has gone through a salon.

“The man who shot Liberty Valance” occupies an important place in the history of the Western film, as it was an invitation to the curtain and death of the flame. Ford’s final movie was in this kind with the Duke, which presents John Wayne is one of his best rolesFord himself was approaching the end of his career as a Western director. After doing more than any other movie director to narrate the American West, it was an influential influential that also began to calculate its legacy; Two years later, the last western, “Autumn Shayan”, was an actual apology for how to photograph the original American in the past. Meanwhile, “Liberty Valance” helped bridge the gap between Westerners in the early fifties of the last century and the most exciting and violent proverbs of Sergio Leone “once in the West” The Wild Bunch “. Let’s take a closer look at what makes it unforgettable, and why it is the highest classification in Wayne on IMDB.

“The man who shot Liberty Valance”, who was not exactly the easiest movie he madeIt opens with Senator Ransum Stodard (James Stewart) returning to the gentle border town of Shinbon with his wife Haley (Vera Miles) to attend the funeral of a friend, Tom Donover (John Wayne). A local journalist is sent to obtain a journalist for the relationship between an important politician and old cow sponsors. Standdard tells the entire story, returning to us to 25 years when he was an ideal young lawyer seeking an adventure in the ancient West.

Upon arrival in the Stoddard’s Stoddard’s Stoddard, a band from the Liberty Valance (Lee Marvin) is held. Stoddard was stolen and beaten before being found by Donover and transferred to the city. There, it is sponsored by Haley and earns his preservation by helping in Chophouse’s kitchen. He quickly learned to play in Xinpon: Valencies and two of his comrades (who is played by Lee Van Cleef and Creter Martin) are terrified of the local residents because the Marshal Marshal full of Elif Abilard (Andy Devin) are very afraid of standing on them.

Stoddard is determined to bring outlaws to justice, although Donover is warning that the only way to settle things in those parts is to carry six small shots and prepare to use them. Stoddard hates violence, however, and establishes its legal practice. It also runs a chapter to help Haley and the other illiterate town get a basic education. He is a firm believer that learning is the basis of law and order and is published in obtaining the state for land. However, local livestock breeders love things well the way they are, and the employment of Valance and his gang to intimidate voters. This puts a confrontation between a lawyer and a seasoned weapon fighter – but Donover still has a lot to say on this issue, although there are romantic reasons for a desire to get out of the picture.

A few Westerners photographed the ancient West’s journey from chaos to democracy as well as “the man who shot freedom”, and John Ford achieves an interesting balance between border nostalgia and defending modernity. Pouring two huge stars such as Wayne and Stewart helps, as it represents the unforgettable cowboy from Wayne that represents the old days of the muscles and Stoyart, stood but full of a lot of the movie, and it represents the way forward.

I generally try to avoid talking about politics when writing about movies, but it is almost impossible to discuss it.The man who shot freedomIn any other way- in fact, it was described before New Yorker As “the greatest American political movie”. As much as I can put it, this movie tells us: democracy, law, education, equality and freedom of expression are good things and the only way for civilized society to flourish. Beating people, individual greed, terrorist terrorism, and the oppression of the free press violently is bad things.

Stoddard represents goodness and freedom represents the bad, while Donover floats somewhere in the middle – he knows that the Crusade from Stoddard is the best for land, but it still connects the old ways of border individualism and justice. There are some wrinkles, however. To make progress in the city, Stoddard should resort to violence that a gun despises and is eventually despised by a more suitable reputation for the Wild West weapon. In the end, he achieved a lot as a Sunator, but he still remembers him as a man who shot Liberty Valance. Old roads die very hard, and as the famous newspapers tell him: “When the legend becomes true, legend prints.”

On the contrary, Tom Donip’s Arc is a sweet way and bitter John Wayne to go out at the end of its western with Ford. It is cowboy from periods that are not afraid to start shooting if necessary. Certainly it will be more comfortable to possess the legend of the Valencing killing, but he gives up this honor in favor of the city. On his own, he dies unveiling his identity, a sad end of a heroic personality.

“The man who shot Liberty Valance” is a political film for city meetings, trunk letters, and elections, but it is also an ideal Western confrontation and confrontation with a conclusion. There are complex topics that work all the time, and John Ford offers these ideas without feeling that he is hitting you on the head with them. This highlights Ford’s elegance as a movie director. Despite all his association with the horizons and the sweeping movement, he was at his best in presenting a story and personality without paying great attention to himself. IMDB voters may be right in this: “The man who shot Liberty Valance”