It was not possible that the West full of deeds Jackie Chan was present without hitting the main box office

It is very strange It took a long time for Hong Kong Jackie Chan to come out in North America. He was a huge star in Hong Kong throughout the seventies, and his films are exciting and enjoyable. For some reason, though, this success was not very well translated into the American masses, although few attempts by Major American Studios.

In 1980, for example, Warner Bros. collaborated. And Golden Harvest to make “The Big Brawl”, AKA “Battle Creek Brawl”, an American production that was aimed at bringing Jackie Chan. “The Big Brawl” starred, which plays a nice restaurant in the 1930s in Chicago, which runs the mob. She co -starred in Christine del, Jose Ferrier, Mako, Rosalind Chao, and Hajari’s wrestler. The movie was actually a great success, but Warner Bruce was disappointed because it was not like Bruce Lee, the latest movie “Enter The Dragon”. Chan was able to stay in American consciousness through a veil in films like “The Cannonbal Run”. A new edition has never happened.

Chan also did not like the way American directors depict the fighting scenes. It was used to the presence of a giant team of fighters and performance artists who were training widely to ensure that the scene was true. In America, it was just Chan, and the directors wanted to move forward after taking two or three. It will not even be “Rumble in the Bronx” that Chan can make a movie in his own expression, but still with the position of an American audience in mind. It was a blow.

After that, studios seized a chance of Chan. He was in the “peak hour” in 1998, when half a dualism of a champion was not identical in front of Chris Taker, and exploded in popularity. The “peak clock” achieved $ 244 million with a budget of $ 30 million and produced a full privilege. Chan also demonstrated that an American star capable of banks, and led directly to his work in “Shanghai Dahr”, a comedy/movement/Western he starred with Owen Wilson. This, too, was an enormous blow. Chan spoke through it to an American Western Ancient interview with Wfaa ABC News.

Chan appears to have wanted to make Western for many years. Chan has always been a fans of Hollywood films, and even in previous interviews he said that his physical body was inspired by depth such as Buster Keaton. He loves Westerners and aims to make one of itself since 1980. In fact, his experience in “The Big Brawl” directly to his writing about an early draft “Shanghai Noon”, which forced Chan to keep it in a drawer for decades. As it put it:

“20 years ago, I would have made a movie in Texas and Arizona. I see a lot of cowboy (…) and suddenly, my idea!

Chan was unable to restore Western in 1980 because, as American producers told him at the time, he did not speak English enough. Consequently, he was relieved to be told that he would allow him to speak English because of “Shanghai Dahr”. The film was re -developed as a text by Alfred Gove and Miles Milar. Chan is not attributed as a screenwriter or producer, but he confirms that making the West was his idea.

Shanghai Nun was modest, Obtaining approximately $ 100 million with a budget of $ 50 million. It inspired a complement called “Shanghai Knights”.