Explanation of the battlefield of the films that the director explained (an exclusive interview)

O man, I love this scene a lot of bombs. How many different differences in the design of the dances you are going through, as soon as they settled, “Well, we just use grenades”? You are limited in terms of such, “What can I do in reality as my novel’s hero will not be blurred?” So how many different differences did you end with?

I mean, one of them, a lot of fun construction was this dynamic because they are hand grenades, so even the group and preparation, and the steel doors, were built, all of which are underground hideout based on rock music. So start from there where you can already refuse yourself behind the door. But I just gone a kind of nuts on almost small sides of just a hot potato sequence. So the group itself, we built it a lot – because we (also we also) a lot of constant taking, so there was a lot of trap doors in the group. Thus when the man is pushed behind the door, we are not cut. Anna pushes the door closed, and passes through the door of a small magic trap before the explosion explodes, because it is a real explosion. Therefore, I felt like the small theatrical tricks that we will do while we were exploding people.

This is really cool. Therefore, there are many other running fighting sequences here. I think that the movement addicts will really enjoy it and I wanted to run through a few of them in coordinating a thunderbolt tour and knowing whether you can only tell me any stories from the group or moments that I discovered during liberation or anything that jumps to you about it. So there is this hard fighting scene that happens in an automatic club, which was once again something that I have never seen before. So what do you remember that?

I mean, this was something, in terms of using existing items, what will be in a snow club? Part of it is just grabbing weapons, because when it comes, she cannot get a real weapon, so she has to use rubber bullets. This was a unique idea, again, with something like, say she had a weapon. Say it has a gun in the club. It would be like something we have seen before, outside the ice club (side), but using rubber bullets, created this idea, with metal detection devices, you cannot go there. So what do we do? So, using rubber bullets, what he practiced in RUUSA, becomes a different kind of sequence. So it is almost like punching with lead. Only driving, pop, pop, and pop, you have to return it as if you were hitting them. So this has become a new thing. “What about if we are shot, how would it look like that?”

This is amazing. Then there is also this scene that occurs in this type of Lodge environment, which we have never seen in John Wick before. What do you remember about that?

We spent a great time with her, and I really wanted it, I got this picture early on the samurai silhouette, only the wild Anna, the wild Eve, just took out all his anger in one board of going to the city. So, using the fire specifically – the presence of the bomb that explodes, but then, it rolls next to the stove, so I needed the fire in the place, mainly because I wanted that silhouette. So this is a kind of way you go through. You have these ideas, go, “Well, so the cabin should be burning because I want this shot of the painting.”