Only sexual sex charger. Now its founder targets the entire influential economy

Like only Fans, Subs features both safely for work and adult content, as creators reduce profits by 80 percent. (To better create a “balanced ecosystem”, and also to maintain safe users and comply with global regulations, Stokely explains that adult content is glorified behind subscriptions and DMS). The new personal features, including the defections of the revenues of the collaborators and referral profits, appear necessary, as well as the future artificial intelligence offers: automatic design, growth visions to help creators expand the content of content faster, and custom content recommendations.

“We are committed to using artificial intelligence morally,” he says, as creative intelligence tools help “enhance their creativity and not replace it.”

I have always covered Stokely – since 2019, before it became only a cultural point of discussion – I felt he was not completely fine as it was only looking at a platform for adults. It seems that he wants to be more than that, but he did not shake the stigma, and may never do it. His gambled on submarines makes more convincing.

“The submarines are not related to one content, it is related to the capabilities of every creator.” I do not buy his answer completely, but its use of the description during our correspondence-the “friend of the brand”, the “balanced ecosystem”-puts me everything I need to know.

What I do not know is if any of this will work. Today’s creative ecosystem, which helped Stokely Ablem, is not the same that entered it in 2016, when it was launched only and before Tiktok became the next limits of cultural production of young creators. The ecosystem grew into an endless head. It is saturated in creative applications that enhance some version of the subs. Instagram has a jar. Users can subscribe to the following favorite. Patriion is still the leader of the collective finance. The book has a suit. Porn owners – the type of creators only flows – on new gates of desire every day: fansly, fans base, fans, FNCENTro, anything mainly with a Word fan connected to it.

This is the game now. The Internet has re -engineered everything to a commodity, and social media ascends this reality. The platforms were built today on what the economist Jeremy Rifkin calls “relations of access”, where “almost all of our time is a commodity” and “Etisalat, communication, and trade (which) is unable.” He wrote in his book 2001 The age of arrival. Submarines are just one of the one million people in this Ouroboros.

In April, another platform was placed in the creators platform, called Zooop, along with the Crypto Foundation Hbar, in A. Attempt American Tiktok operations from its Chinese owner, bytedance, but it tells me Stokely that he is now fully focused on submarines.

He refused to provide any additional details about the proposed deal.

SUBS has a real opportunity for size, and possibly transforming the natural scene as he only did in 2020 is by re -introducing a fabric from originality to internet connection. Social media, despite all the best, has created all kinds of sticky relationships and anxiety. The brain is everywhere. Unit is high. The different ways that we communicate and appear on the Internet are planted with an unpleasant smell of manufacturing, as artificial intelligence consumes in a new, volatile world. According to Type reportThere is now an epidemic of credibility between the influencers; 33 percent admitted the purchase of followers or participation.

But it should not be this way. If the only one revolves around The illusion of arrivalSubs has the opportunity to help provide promises of our social media contract again – whether it works or not yet seen.