Martin Scorsese pushed the real mob for one of his first films

There are some pieces of the film production budget either unexpected or secret in the final numbers. When it comes to the latter, you may have heard tales of films that were produced during the 1970s and 1980s that have a cocaine budget. Some films definitely did. In an interview in 2011 with ReutersDennis Cuid, cocaine addict himself, revealed that the pepper powder account has been hidden as a small cash. “People will make deals,” explained. “Instead of having a cocktail, you will have a line.”

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Given that cocaine is illegal in the United States today as it was half a century ago, it may not surprise you to know that filmmakers have concluded all kinds of independent deals to obtain their films. i mean it It should not Surprise for you. Dark notebooks and payments under the table are the cornerstone of the so -called Sharia works. Now that the United States government has become corruption that gets more fetus daily, it seems to be the only way to reach.

The rules of mobs are the new natural, which, to some extent, has turned Movies like “The Godfather”. “Goodfellas” and “deep cover” for an illegal charge. We are all subject to offers that we feel we cannot reject. How do you deal with people who open negotiations with “F *** You, pay me?” Martin Scorsese learned this difficult way while shooting him His favorite is one of the films he made, “I mean the streets.”

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During 2024 questions and answer With the hip -hop Nass star at the fifty anniversary of “Medium Streets”, Scorsese discussed the lengths that he had to obtain approval to film the film in the Little Italy neighborhood of its youth. Interestingly, he only photographed a week or so in New York City in “Medium Streets”. For the largest part, Scorsese photographed interiors and some exterior in Los Angeles. Perhaps he could shoot the entire movie there, but New York City citizen had to get a flavor from the house in his movie. This cost him.

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According to Skorzi, he wanted to photograph a specific corridor in a building on Mulberry Street in Little ITAY. Scorsese was a child from the old neighborhood, but the connected man who owned the building made it clear that the director would not get his hometown’s discount. Scorsese’s father tried to mediate a compromise, but he could not compete. (The owner of the building) goes, “What? He earns money on this. You make a movie, it will disappear. We are still here. This is what he will cost, “Scorsese explained.” There was no romance sticking to each other. “

Scorsese had to pay to play. Fortunately, a film director enters knowledge of these palm trees to help the new director. “The Guardian Association has paid,” Skor Seessei. “We gave us Francis Coppola $ 5,000, so because you could not shoot at the festival, because we had to contribute to the Saint Jennaro community. Once we sold the image I gave the money. It was great.”

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I will not say “streets mean” (That launched the profession of Robert de NeroIt is a film for the Tourism Council in small Italy, but after I rent an apartment on Grand and Mott for a year, I can assure you that Scorses got his money from that short period of shooting at home.