Clint Eastwood and Stephen Spielberg once on a classic TV program

Stephen Spielberg is often seen for his invaluable contributions in the cinema, but there is an argument that must be made to his place on TV. After his short movie “Amblin”, he made waves with Sid Sheinberg, former President of Universal, Spielberg spent the late 1960s and early 1970s Directing a number of offers including “Columbo” and “Night Gallery.“Although his focus will intend on the magic of the big screen adventures, he never lost the means that gave him chances of bending his slices. Most of his late TV profession in Spielberg consisted of executive producers’ credits, but there were some shows that had an active hand in development, with one with great luster in the mid -eighties.

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“Amazing stories” was the invasion of Spielberg in the world of selected TV, where each episode spanned the qualitative range of imagination, science fiction and terror. The summary of the series will undoubtedly lead to operation The topic of the topic This should not be a surprise for those who seized them. Although it continues for only two seasons, it has a great impact in his aftermath. The award -winning Emmy series has employed all kinds of filmmakers to make their own episode, including Martin Scorsese, Brad Bird and Danny Devito. One name between the directing list that came as a surprise was only Clint Eastwood.

Eastwood and Spielberg are two names that you do not usually expect to see together in a creative way, but in 1985, the couple cooperated for the first and last time in an episode of “amazing stories” that see the previous success with his sweetest side.

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Among the duties of the movie maker on “Pale Rider” and “Ridge’s escape,” Eastwood directed the “Amazing Stories” episode entitled “Vanessa in the Garden”, which was written by Spielberg. Harvey Kitel plays the role of Peron Sullivan, a painter in the early twentieth century that can produce artistic magic with a stroke of the paint brush. From all that he drew, it was just a few like those that his wife Vanessa (Sondra Locke). A year after Peron and Vanessa involved their marriage with a honeymoon in Paris, the world is their shells. Peron gets great news by his friend/agent Teddy (beau bridges) that he only reserved an exhibition of his work.

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However, good times do not last long, due to the lightning thunderbolt wandering in the horse -associated horse, sending them down hill and killing Vanessa in this process. Peron is located in a kind of deep depression that leads him to burn his paintings. The person he drew from Vanessa finds in their garden and tries to waste it, but the match runs out. When Peron wakes up the next morning, he discovers that he was removed from the plate and stands outside in the garden. He tries to run to her, but she disappears. When Peron begins to see her destination around the house, he reactivates his passion for painting again.

You see “Vanesa in the Garden” Eastwood and Spielberg that adopts the romantic nature of ghost stories. In the end, Peron is no longer to do what he loves most, but he is able to increase communication with his wife by drawing the couple exclusively.

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How appropriate is Eastwood to direct a story about the beauty of his other important life, even if this relationship will take general fame in the following years. To make matters more dramatic, Locke, who was already an affair with Eastw Her biography, “Good, bad and ugly” Her partner was sharing her in this episode with Jimmy Rose, actress Eastwood met the “Tightrop” group – which he was also Having a relationship with.

Eastwood, like Spielberg, is another one of the most well -known characters in the cinema that also has a television connection – even if it is on the opposite ends. Throughout the early stages of his career, Eastwood did what any coming actor will do and found himself reserve a full set of guest sites in shows such as “Highway Patrol”, “Death Valley Days”, “MAVERICK” and “Alfred Hitchcock Presents”. And who can forget “Mister ED” episode where he plays a copy of himself for a modern horse?

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However, most viewers were known at the time Eastwood, as the tumultuous poker game of more than 217 episodes on the CBS Western series “Rawhide”. Although he describes a fileThis was the thing that led to his career in the movie “Sergio Leone”. After Rawhide came out of the air in 1965, Eastwood never did another TV guest group again.

Eastwood will only deviate from its directing duties twice with the last episode of the Scorase “The Blues” and Diana Krall’s Music Music “Why should I care about” True Crime “. Surprisingly, Eastwood did not direct more TV given the fast schedule that he keeps on his collection of films linked to the rapid production of TV.

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