Inside the Vatican and real drama behind “Conclave”

In the Oscar -winning movie “Concereave” last year, he faces the Cardinals played by John Litjo and Ralph Venice, the dead Pope’s body, the election process behind him was operated.

The actual model of the succession of the successor of Pope Francis will start on Wednesday, but since his death on April 21, Large numbers of our viewers flowed the movie – About 15,000 the day before his death, 3 million since then.

Therefore, we decided to reconsider the time we spent with Venz in Rome and then in New York City when the film appeared last fall.

In Villa Medici, one of the “Conclave” photography sites, Vinice said, “For the person who knows, this is not the Vatican. But I think it is for a movie, you could have believed this was an aspect of the Vatican, and in fact we fired the fire inside here.”

Venice Cardinal Thomas Lawrence, who betrays his pent -up ambition to be the Pope for another, played by Stanley Tuchi. Both men were arrested in the pressure cook of fear of papal policy. Cardinate is closed, imprisoned in splendor and secret.

Most of the film was filmed in the famous Cinecitta studios in Rome. Among the fashion, Venice said: “The clothes are very important, and if you put a robe like that, they are hanging on you in a certain way, and suddenly do something for you.

The Cardinate College has been isolated, the Cardinate College has alluded to the papal caliph. “It is a context of wealth”, and these sacred men … “said Venz.

I said: “It is supposed to be sacred.”

“Yes, I would have done upside down signs! They are in a structure that massages their political instincts about the church’s thing.”

Robert Harris wrote the 2016 novel that inspired the movie. “Well, I was a political journalist, a policy that enhances me,” he said. “And only elegance, for me, the final elections. It is the oldest election, and the most exceptional.”

Since the death of Pope Francis, Harris’s novel sales have risen ten times.

Harris said: “It is not a kind of kind, as you know, somehow,” Harris said. “It is just that the model always fall into this style. There are traditionalists and there are reformers. There are geographical blocks. From this mix, a compromise candidate appears.”

In the book and the film, the traditional is TEDESCO. Reformer, Pelini; Tremblay is moderate, but planned. There is Admi, the African competitor. One after another, it is eliminated, and a compromise candidate appears.

Harris said: “The thing takes its own momentum, as any group will happen. As you know, like the jury that suddenly swings to power, and this is called in the spiritual world the Jerusalem ghost movement through Cyeseten. In the political world, it will be called momentum.”

Although Harris is not a Catholic, eating it on what happens during the flavor is generally accurate.

I asked, “It seems that the idea of ​​the book is that these defective men, who are also sacred men, reach the right option?”

“Yes, I think it’s a very good process,” Harris answered. “I think the Roman Catholic Church has an enormous wisdom of the centuries in which it was built.”

Fein said: “The movie leaves you with a question: Who should lead? Who should lead a structure like the Catholic Church? Who is the person you deserve?”

“But he also asks the question, will the political process that defines the leader determines the right leader?” I asked. “It seems that the movie says yes.”

“Yes, the movie, in this case, for example, it is He canWhere said.

Fiennes, like the cardinal he plays, is a man of doubts. He said: “I grew up Catholic, and then rebelled when I was 13 years old.

I asked, “Have you gone out anything that answered your own questions?”

“No,” Vin answered. “I went out with more questions.”

As dramatic in the sermon of Cardinal Thomas Lawrence: “If there is only certainty and no doubt, there will be no puzzle, and therefore there is no need for faith.”

Harris said, “The way he announces the word faith In the end, just unusual. “

Harris is a great fan of the movie. Now, he watches his book to real life. “I have seen the early stages of the novel reveal in front of me,” he said. “This was a fairly strange feeling, frankly – to see this mechanism into force.”

Regardless of the end of Boba, Harris, the previous pulse that turned into novelist, knows a good story when he sees one: “The full pictures of it. Smoke comes out of the chimneys. I mean, what an unusual and wonderful concept, he entered the language and the culture of the world.

He added: “I am entertaining, by the way, that the domain will start, and I think it is Wednesday.” “There will be a real strong feeling among the Cardinals that they want to get out of Rome on Friday afternoon. It’s an effective, shrewd deadline!”

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A story produced by Red Ofal. Editor: Joseph Frandino.

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