You should not escape, unless you do not see “Thunderbolts*” and “Neon Genesis Evangelion”, in which case, it comes out of the robot, because there is heavy Spoilers Go to both.
“Thunderbolts*” is one of the biggest surprises made by Marvel Studios years ago. This is a collective film that we have not seen for a while, with a great focus on the dynamics of personality, humor that stems from these dynamics, and such as “the guardians of the galaxy”-a group of unforgettable losers and loved ones forced to work together and save today. It is a reminder of the best Marvel Cinematic University, and what made this universe last this long-where the teams come out directly from the comic stories.
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The film follows a group of mercenaries that rejects the authorities that find themselves informed by the employer, so they decided to cooperate and take revenge, before facing the destruction of all New York City. What makes this emerge even from group films How emotional and mature “Thunderbolts*”. These men are not heroes and do not work together for the greatest good, but because it is the only way they can survive in this dark world. To reformulate the “missing” star Matthew Fox Jacques Shepard, if they cannot live together, they will die alone.
Then we have Bob (Louis Polman), apparently the normal elegant without skills, but many mental health problems. Unfortunately, well, everyone, Bob was the subject of a super soldier to turn it into It runs great powerGive his dark pulse a way to appear as a distinguished personality, and go to the city that turns every person in New York into human shadows such as those in the wake of Hiroshima atomic bombing.
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It is an innovative way to obtain high classes without doing the famous sky ray, which was very prominent in the first superhero films in early 2010. However, instead of the big quarrel against the villain to display the ability of Titular Thunderbolts to work together and use its powers in sync, the peak “Thunderbolts*” takes a more independent look amid wide chaos. In essence, it’s the end of “Neon Genesis Evangelion”.
Thunderbolts conclusion* is a refreshing independent
Instead of fighting Sentry in the air with fists and forces, they were destroyed through buildings and throwing laser beams around them, the peak “Thunderbolts*”, and the battle against the apparently invincible villain, is just a talk within the mind of Bob. Yolina (Florence Bug), with the realization that Pob suffers from pain like her, decided to allow him to turn it into a shadow, which transports her to another, apparently within his mind. There, Ylena and Bob have a chat on mental health, shock and the need to rely on the people around you to get out of the hole.
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The presence of the big battle against the villain is not just a discussion, but basically a therapeutic session, it is a great option, and a direct thing from Hideaki Anno masterpiece, “Neon Genesis Evangelion”. This anime, which began as a fairly cold thought and honor tokusatsu and Mecha Anime, quickly turned her attention away from amazing and amazing battles until she became somewhat independent. This has gone to the point of the last two episodes of the entire anime within the protagonist Shinji Icari, ignoring the nature of existence, his feeling, and whether he wants to live in this world. Remain One of the most controversial, polarizing and speaking finals on TV historyRegardless of medium. This creator Hideaki Anno was working through his depression, which led to an incredibly personal conclusion for one of the best anime in all ages, and a cavity method to solve the arc of the character in an intimate manner.
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“Thunderbolts*” withdraws similar peak, as characters speak through their problems instead of overcoming each other, is one of the best things that Marvel has ever done. All that was missing was a scene that the characters stood around Bob, saying, “Congratulations!”
But what makes the height of work very well is that we are fully aware of the end of the world that occurs. Not only that we are inside the Sintry mind because it works through mental health issues, it is the fact that the human tool occurs directly abroad.
The guard unleashes the human tool
As you can see, while Xinji was suffering from his mental collapse and contemplated whether he wanted to continue to live, the outside world was passing through Harmjdoun himself. short, A terrible event called the third influence began, with the aim of starting the human tool It is a false process from the Bible, where the lives of every living being converged into one awareness, and the freedom of people from insecurity, their feeling, and their faults. We do not really see this in the anime chain, but rather in Alternative/supplementary end “Evangelion”, “ Where every human being turns over the face of the earth terrible and a feeling of an orange liquid that resembles Tang. It is an end they believe that many fans believed they wanted to see it, and it is the epic end of the world that was turbulent in the anime, but we have never seen we have seen due to budget problems, but also a darker, elegant and more nihilistic end than anyone expected. “Evangelion”, when it is seen on its own, separated from the end of the high -end anime, is one of the anime (and best) movies at all.
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Watching Sentry turns most of New York City into shadows, and suppresses every person like that nothing, and erasing them from existence, reminds us of the third influence sequence in the “Evangelion End”. The scene also does not work alone, nor the horrific attack on New York or independent treatment session. Together, though? It is a great way to finish a super hero movie. In the middle of the world’s end event, the best idea about Thunderbolts to defeat the villain is just talking to him and helping him to work through his issues much better than it could be any battle. Likewise, he knows that the world is being informed in a terrible way while Xinji thinks about his life, and also whether the world should be finished or saved, which makes the story of “Evangelion” one of the great achievements of the anime.
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