Thunderbolts is the same as the same moment in the entire MCU

Warning: This article contains The main spoilers For “Thunderbolts*.”

I know, we were here before, right? Anytime the new Marvel Cinematic Universe movie, we have to go through a full song and dance on how this One of them finally introduces something that we have never seen in the privilege before. Then the next comes out and we say all the same things about it again, as if we had the collective memory of the golden fish. It is an endless course of exaggeration and hysteria, led by fans and critics (who is Muslim) alike, and it is a trend of already felt that he played 10 Marvel movies before.

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“Thunderbolts*” is launched within a unique moment in the history of the property, however, when the talisman was finally broken and we all come to the idea that Marvel should be really that Win Praise us these days. However, despite all the difficulties, this weak team movie does not feel that it is one of the best and most complete films from this series at some point (He also drew many early reactions). It also goes to deeper and darker places than many of us expected. This is exactly the reason, for the sake of my money, “Thunderbolts*” maybe the darkest moment of any mcu movie. Yes, I know that there are some competing lines of thinking that seems to go beyond this. For one reason, this is precise That SpongeBob Roller Coaster Meme. For another, did we not already see half of the universe literally cut from being in “Avengers: Infinity War”?

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It is fair to wonder what can make “Thunderbolts*” deserves a title like this. Well, a specific scene plays in the final action carefully like another standard moment … until the second things become terrible. It is shocking and frustrated, and definitely from the intestine-and the one who is the moment of MCU so far.

For a movie about overcoming our biggest obstacles to be supposed to be, “Thunderbolts*” definitely definitely defines the knife when it needs it. Although Yelna Beva from Florence Bugs fills the traditional role of the band, in reality Alexei Shostakov/Reed Gardian (David Harbor) who takes over one of the influential story arches. It is usually photographed as a father Michich at this stage of the privilege, the “Thunderbolts” character begins in a compassionate place when his adoptive daughter Yeena is visiting for the first time in almost a year. Finally, motivated to become part of her life again, Alexei spends a lot of conspiracy on the suburbs … that is, until he suddenly faces his biggest compensatory moments so far.

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Late “Thunderbolts*” yet Bob Louis Polman/goalkeeper has turned into the evil voidFor a long time, he finds himself in the thick movement and faces the most important options: running and hiding to save his skin, or applying his life on the line to save those who suffer from danger. He chooses the real championship route, and like the original avengers, its status confirms that it is a real blue thunderbolt while saving the lives in New York City. When a little girl discovers about to crush her, he takes heroic beating to protect her from harm, it is an ideal button for his emotional bow – until he suddenly loudly visible void over it and turns it suddenly (and we wandered in the stomach quickly.

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Despite more than a decade of Marvel and its competitors who were trying to restore the magic of “The Avengers” for the year 2012, the real secret sauce was hiding in sight of the horizon all the time – and “Thunderbolts*”, among all the films, which I think. “Avengers: Age of Ultron” and Punk- Two “Infinity War” https://www.slshfilm.com/ “Endgame” tried to do the standard complement to become the largest and most powerful than we have received, despite only successful degrees of success (we talk creatively, at least). Flick, director Jake Schreier Flick, is trying to focus on a group of anti -Nobodies, to be fair, but the results speak for themselves. Storytelling, the scene in which the little girl remains shaded in existence, raised the actual moments of the audience that I was present with, and it is very clear why she feels effective.

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Only when we expect “Thunderbolts*” to fully expand the scope of the story, it instead chooses to issue in very specific cases for civilians who are placed in a fatal danger … and those moments have hit more difficult, as a result. It was given, somewhat clear why you can feel watching hordes of VFX crowds that are placed in some mysterious meaning at risk at a stressful speed, compared to a personal vision that we know and we love failure to help this specific person. But the tremendous simplicity of the approach at this moment in “Thunderbolts*” is exactly what makes it more fresh. From narration and greatly, why Red Guardian feels the need to atone for the previous shortcomings by saving others, just as it is clear why Bob comes out the way the void does. And when the emotional trips of both people converge in this innocent life, it is no wonder why you feel destroyed at the present time … or why is this elevator that affects the need when you return with the rest of the losses.

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We hope this is a lesson for the location of MCU after that. All signs indicate “The Fantastic Four: First Steps”. Take a completely similar approachBut all bets are suspended as soon as Crossover reaches the “Avengers: Doomsday” finally. Hoping that Kevin Fig will remember what “Thunderbolts*” made such breathing from pure air.

Thunderbolts*now plays in theaters.